Posts Tagged ‘kimonos

09
Feb
13

Ichimatsu & More

wafuku – noun: traditional Japanese clothing

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From tan to kimono

One of my customers, Ms Walker, bought some tan (bolts of textile specifically woven for kimonos, also called tanmomo) and had a kimono maker tailor them up for her. Her kimonos are beautiful and I am very grateful that she allowed me to post photos of them here.

The first shows a grey one,  a wool kimono, very simple and elegant. I like her choice of obi, with its broad, black band, echoing the bands on the kimono.

isolde kimono 2

The second shows a wonderful ichimatsu kimono. Ms Walker looks absolutely stunning. Her obi is a lovely choiceof both colour and design to go with the bold, geometric design of the kimono.

isolde kimono 2013

Ichimatsu is a popular design on traditional Japanese clothing; it is a checkerboard pattern, named after the kabuki actor, Ichimatsu Sanogawa, from the Edo era. When he wore hakama with thchecked design, it quickly became a fashionable pattern. It then became his trademark pattern. There is a type of doll named after Ichimatsu too, they were originally dolls that looked like him but eventually evolved into dolls of children, so we no longer think of an ichimatsu doll being one that is modelled on that actor.
Many patterns that became fashionable among the general public came from kabuki actors.
The photo below shows one of the  geisha’s obi from my www.wafuku.co.uk website, with black and silver ichimatsu pattern.

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This spectacular kimono, with forest and mountain design, is a wonderful example of Japanese textile art.

misty forest kimono

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Talking of Japanese textile art

Check out this amazing bolt of silk, with huge fish (perhaps red snapper) on it. Woven to make a naga- juban, underwear kimono.

purp red snapper bolt womens juban or haori

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Skate Booties

My daughter bought herself some of these Jeffrey Campbell skate booties, which are particularly popular in Japan.

skatebooties  jeffreycampbell

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You can also check out my www.wafuku.co.uk website, providing vintage & antique Japanese kimonos & collectables.

www.wafuku.co.uk

12
Jun
12

Forgotten Kimonos, Yakuza Hanten & Japanese Manners

wafuku – noun: traditional Japanese clothing

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So many kimonos I had forgotten I had.

When I first started buying kimonos, not realising that I was going to get addicted and buy so many, I didn’t think to keep all the information about each one, such as measurements, age, if that information was known, how much it cost me etc. I didn’t keep any information about the first few hundred garments I bought but eventually it dawned on me that I should, so I started to do it from 2006. Stupidly, I had been saving the information for some months before it then dawned on me that I should also keep the photos provided by the kimono seller.  It took me even longer to think of also printing the information for each and putting it in beside the kimono or whatever it was and yet longer to think to add one of the photos to that printed slip, so I could see what was in the bag without having remove it and unfold it to see that or try to remember what it looked like from just the text description. This means that, on my computer, I have a folder for each year, each containing 12 folders for the months, each containing a folder for virtually every days of the month, each containing numerous folders with information about a garments I bought on that day.  There are thousands of these folders now.

I was searching through those folders recently, way back in the 2006 and 2007 ones, trying to find something specific. Idon’t think I did track it down but I did see many kimonos that I had long forgotten I bought that have been packed away in boxes upstairs since I got them. I have no idea which boxes they are in, sop no idea when I might come across the actual kimonos and add them to my website.

Here are a few of the ones that caught my eye as I searched through those folders.

Colourful Peacock Tomesode Kimono

colourful peacock tomesode

Close up detail

colourful peacock tomesode detail

He may actually be a phoenix but, judging by his body feathers, I think he is a peacock. They tend to be very similarly drawn, with long tail feathers with the ‘eye’ on them.

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Gold & Silver Peacock Tomesode Kimono

gold and silver peacock

Detail of the embroidered peacock. The areas that look blue are actually silver.

embroidered peacock detail

This one is definitely a peacock

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Spectacular Ships Tomesode Kimono

big ship kimono

Detail of the ship

big ship detail

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Cute Print Kimono

This next kimono is not in the boxes, it is one I gave my daughter, but I came across these pictures during my search. It is a kimono in a colour and pattern I have never managed to find again. The pattern, which, at a glance, I initially thought was stylised bunnies, is actually pokkuri (high soled, wooden geta shoes worn by girls and maiko, sometimes called okobo or koppori). The only other time I saw this same design it was on a light blue backgound and on a kimono worn by a maiko (trainee geisha). This is one of my daughter’s and my favourite kimonos. It is a lovely silk crepe.

green zori kimono

Detail of the design

green geta kimono detail

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I also found these pictures of a baby boy’s kimono, from the 1950s, that I have kept for myself. It has a very American theme, which was popular in Japan back then, with a cute Wild West design, with Cowboys & Indians (nowadays called Native Americans). It is quite a collectable one.

cowboy kids 1

Details of the design

cowboy kids 2

cowboy kids 3

cowboy kids 4

The back of the kimono

cowboy kids 5

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Shimizu No Jirocho Hanten

This next item isn’t one of mine. I couldn’t afford this one. It is a hanten jacket but what makes it unusual is the design on it is that of  Shimizu No Jirocho (1830 – 1893), who was a Japanese gangster (Yakuza). Born in Shizuoka, the adopted son of his uncle Jirohachi Yamamoto, who was a komedonya (middleman-merchant dealing in rice). Although his real name was Chogoro Yamamoto, he was called Jirocho,which was short for Jirohachi’s Chogoro. He took over the komedonya after his uncle’s death but soon turned into a gambler. He built up his following and extended his influence, fighting over territories relating to the Fuji River and maritime transport. In the first year of the Meiji Era (1868), he was appointed Dochutansakugata by the Government-General of the Eastern Expedition. In the same year, the warship Kanrin-maru, of the old Edo Shogunate, was attacked by new government troops while lying at anchor in the Shimizu harbor. Jirocho treated and buried the dead with sincere condolence and became acquainted with Tetsutaro Yamaoka, Takeaki Enomoto and others. After the Meiji Restoration, he engaged in development around the foot of Mt. Fuji and marine transportation business.

The birds on it are chidori (plovers), which tend to flock over the seashore and river beds, and the mon (crests) are katabami (wood sorrel). Below the text there are rolling waves.

HANTEN COAT  SHIMIZU NO JIROCHO

A photogtaph of Shimizu No Jirocho

Shimizu No Jirocho photo

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I like all sorts of vintage things, not just Japanese ones, and I recently went through old clothes of mine with my daughter. Things I used to wear 20 years ago. She went home with the last of my 1950s dresses, having got most of my other vintage clothes some time back, and among them I found a 1980s dress I used to wear that I had put vintage buttons on. Neither of us wanted the dress, so I removed the buttons; I have no idea what they will be put on next. They are made of painted wood, with metal loops on the back, and are in the shape of black gloves with a light blue edge to the cuffs. They used to be my mother’s when she was young (she’s now 91) but she can’t recall where or when she got them. They always made me think of Schiaparelli (1890–1973) and her Surrealists inspired designs. I think Schiaparelli used glove shaped buttons. I particularly remember her fabulous shoe shaped hat and her Lobster Dress, with the lobster on the sash painted by Dali. Here is a photo of my buttons.

vintage hand buttons

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A television show I particularly like is The Big Bang Theory. Every so often I have noticed that the character Penny wears trousers that look as though they have been made from vintage kimonos. I spent absolutely ages trying to get a screenshot of her wearing some. The best I could manage was the one below.

bbkimonotrousers1

The Big Bang Theory Penny

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In Japan, it ‘s considered very rude to talk on a phone, play noisy digital games, eat or drink on public transport. It is also considered very rude to so those first two things in a cafe or restaurant and very ill mannered to talk on a mobile phone or to eat or drink when walking in the street. The Japanese are very well mannered and considerate people and abide by this public etiquette. There are exceptions to the no eating rule, though; on long distance trains one can eat and the stations even sell special bento box meals for these journeys. The sign below shows two examples of what not to do – play a noisy game or eat.

transport etiquette

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16
Feb
12

More Japanese Haori Jackets & How To Tie A Haori Himo

wafuku – noun: traditional Japanese clothing

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Japanese haori are long jackets, with deep, kimono style sleeves, designed to be worn on top of a kimono, though they are fabulous when worn over western world style clothes, like jeans or dresses. Women’s haori can be particularly beautiful, often with fabulous, Japanese textile art on them. They are not worn with an obi, though they do look great when cinched in with a belt or sash. They are usually fastened very loosely with a pair of ties called a himo, which is normally bought separately from the haori. Men’s himo are usually hooked onto the haori and unhooked to  open it, rather than untied, though one can just untie the himo instead. Women’s himo are usually looped onto the haori and tied each time it is worn. Below you can see some examples of haori and, above those, instructions showing how to tie women’s himo, then how to tie men’s himo, as each gender ties theirs differently.

How to tie a woman’s haori himo

HIMO-INSTRUCTIONS - womens

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How to tie a man’s haori himo

tying a man's himo

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Now some examples of women’s and men’s haori from my www.wafuku.co.uk website, where you can also see hundreds more

Women’s

1920s red haori

1920s red haori

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Geometric  design haori, worn with a sash, with western world clothes

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Lacy print haori

Lacy print haori

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fabulous bird haori

Fabulous bird design haori

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All hand done shibori (intricate tie dye) haori

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1920s purple haori

1920s purple haori

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Pink butterflies galore haori

Butterflies galore haori

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Pink with mums haori

Pink haori with chrysanthemums

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haoris with western world clothing

Examples of haori worn with western world clothing

Men’s haori

Men’s haori differ from women’s; the sleeves are attached to the body either all the way down the inner edge or all but an inch or so down. This is to match their kimonos. The sleeves of men’s kimonos are the same, whereas women’s kimono and haori sleeves swing loose and unattached at the body edge for a lot of their depth, this is because women wear very deep obis, so the sleeves have to be able to hang over them, whereas men wear much narrower obis and wear them lower down, so their sleeves do not get in the way and can be attached to the body of their garments all the way down.

Another difference with men’s kimonos and haoris is that they tend to be very subdued in pattern and colour. A long, long time back, the nobles and samurai got somewhat annoyed that so many rich merchants of lower class were able to afford and wear very ornate, ostentatious clothing, showing up the poorer of the samurai and upper classes and not allowing the richer ones to stand out, so a law was passed banning men who were neither samurai nor noblemen from wearing ornate clothing. This led the lower classes to adopt what was known as hidden beauty, putting fabulous textile designs on the linings of their haoris and on their naga-juban underwear kimonos. In time this made them feel superior and more classy, as their beautiful textiles were less flaunted but still there. You can see examples of that hidden beauty on the linings of some of the men’s haori below

3 geisha men's haori

3 geisha lining, men’s haori

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Galloping horse men's haori

Galloping horse lining, men’s haori

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Airy ro silk men's summer haori, with bamboo mon (crests)

Airy ro silk men’s summer haori, with bamboo mon (crests)

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Shunga (traditional Japanese erotic art) lining men's haori

Shunga (traditional Japanese erotic art) lining, men’s haori

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Japanese woman lining

Japanese woman lining, men’s haori

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Beautiful scenes lining, men's haori

Beautiful scenes lining, men’s haori

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Simi-e (ink and wash) lining, men's haori

Simi-e (ink and wash art) lining, men’s haori

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Woman with scroll lining, men's haori

Woman with scroll lining, men’s haori

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Another shunga (traditional Japanese erotic art) lining, men's haori

Another shunga (traditional Japanese erotic art) lining, men’s haori

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Donsu lining men's haori

 Fabulous scenery, on donsu lining, men’s haori.

Donsu linings have the design woven into the silk and haori with them are known as donpa haori

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21
Jan
12

Catwalk Kimonos & More

wafuku – noun: traditional Japanese clothing

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Here’s  Jotaro Saito’s 2011 collection of kimonos and obis. I particularly like the men’s kimonos and some of the women’s obis are made from fabulous textiles.

This video has the designer talking (with English subtitles) and shows some of the obit textiles close up,  and the video below it has the actual fashion show

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Here’s a girl in Harajuko (2012) looking lovely in a kimono, with an old fashioned, crocheted shawl and very contemporary hair colour and giraffe bag.  Note how her feet hang over the outer side of her zori shoes; which is standard with traditional zori and geta, as the toe post that goes between the big toe and second toe, is in the centre of the sole and not offset the way it is on western flip-flops. Nowadays some zir are made with the offset toe post but it’s much more usual for it to be central and the foot to hang slightly off the outer side of the shoe.

The photo is from Tokyo Fashon, a site I love.

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Now, I don’t know if this shop in Osaka, Japan didn’t know the English translation or if they didn’t care and went for shock tactics but this is a sign you certainly wouldn’t find during the sales here in UK (via japansubculture.com)

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This next photo shows a woman in USA, photographed walking through a park on her way to a wedding, wearing a man’s montsuki kimono and looking very good in it. I would have chosen a wider, stiffer belt/sash but I think she looks great in her men’s kimono. Her kimono has fuji (wisteria) mon (crests). The photo is from a blog site I love and one of my daughter’s favourite sites, called Advanced Style, showing older women with a sense of style, who, unlike many of the older generation, have not given up making an effort in their appearance, though I have to admit that some have not given up their favourite eras either and have stuck to the clothing of the era they liked best and said to hell with whether they are considered a tad out of date.  They will soon be retro anyway and that is always interesting and good.

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Interested in Japanese ghosts, goblins and ghouls? Check out this post on Weird Asia News

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18
Oct
11

Anime Eyes, Tokyo Fashion & Winter Wear

wafuku – noun: traditional Japanese clothing

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Anime Eyes - wide eyed appeal
In my last blog post I included a video clip showing the appplication of a fluid, presumably something like latex adhesive, that makes the single Japanese eyelid fold when opened, giving the appearance of a double eyelid, more like western world eyes. This is popular, whether done with a liquid or tape application or with more drastic cosmetic surgery, because it makes the eyes look bigger. A current trend in Japan is anime/manga style eyes, which are achieved by combining the added crease with contact lenses that make the iris and pupil much bigger, giving the larger than life, cartoon like eyes. I have to admit that some of them scare me a little, the eyes look inordinately large for the face, but I also find it an interesting look that can suit the Japanese face, though I do not like it so much if the eye enlargement involved surgery rather than the more temporary options.

photo via inventorspot

You can get the anime eye contact lenses here, by Geo…

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Anime Eyes For Fancy Dress
If you flike the idea of going out in fancy dress as a manga or anime character, this video shows you how to apply anime make up, with the huge cartoon eyes and tiny lips. In case you are unsure, manga is Japanese comic book illustrations and anime is motion cartoons, both of the same style.

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And now for something even weirder
Now, if you want to go even further and have really freaky eyes, check out the contact lenses in the photos below, and many more very weird ones, here. I really like lots of those and wish I was young enough to carry them off.

Check out those and many more here

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Tokyo Fashion
A site I really like is TokyoFashion.com, where you can see masses of photos of street fashion in Tokyo, with a lot of focus on Harajuku fashion (trends from Harajuku, in the Shibuya ward of Tokyo). You will see a lot of girls with anime eyes in those photos too. On that site, you find photos of people in the street in fabulous, creative outfits, many a mix of western fashion, vintage fashion and contemporary versions of traditional Japanese styles. There is also some Tokyo fashion show news. I like the people on the street stuff best. The fashion shows have mostly western women modelling, many of whom have legs so thin that it looks as though their thighs would snap like twigs, whichI find repellant; I thought the days of concentration camp-like models were coming to an end but it seems it is not. I also get a touch creeped out by the fashion that makes girls look like very young children, practically toddlers. It’s cute but slightly disturbing. I do, however, love most of the quirky fashion in Japan.

I especially like these zip tights

and these tattoo tights. There are lots of great tights and socks in the photos on that site.

I love this checked dog backpack

and this Vivienne Westwood watch

and the weirdness of these Jeffrey Campbell shoes

and these very pokkuri/okobo-like shoes, a style that is very popular in Japan just now and that you will see numerous girls wearing in Tokyo. I really like their big nod to traditional Japanese footwear, making it live on in contemporary fashion.

Then there’s the Harajuku Fashion Walk

To see much more like this, check out TokyoFashion.com, which is where I found those pictures.

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Fun Stuff For Winter
I have just bought one of these fun hats for winter; I find the extreme cold of winter is a good way to get away with wearing something silly and quirky, even at my age. I have bought the wolf hat and am considering the racoon hat too.

I’m also considering this cute Elmo hat. My daughter and I love this Iron Man ski mask, which I think would be great for her fiancé, who cycles to work.

I also want just bought this pair of perfect winter boots that I found but I can’t yet afford am still reeling a bit at the £140 £112 (approx. $221 $181) I paid (I got a 20% discount voucher), as I still really can’t afford them. I actually bought them at full price but, when I went back to look at them shortly after my purchase, I noticed there was a discount voucher code, available for the next three days, that I’d overlooked, so I cancelled the order and bought them again with the discount applied. Feeling 20% less guilty now. They have a cozy fleece lining and are waterproof and, best of all, are very long; it is so hard to find warm, waterproof, winter boots that go right up to the knee. They’re a mix of waterproofed leather and waterproof nylon. I already have two great pairs of equally expensive winter boots, which are also furry lined and waterproof but they only go up to just above mid calf and, although I love them, I would love them so much more if they kept my entire calf warm by going all the way up to the knee. One pair is black and the other is white; they are a mix of thick, plain leather with patent leather straps and round the toes (you can see me wearing the white ones in the photo of me building a snow Kid Robot, below the grey boots) but otherwise both the pairs I have are the same; all three pairs are Timberland boots, the two shorter pairs are called Timberland Mukluk Barometer. I think of the white ones as my Storm Trooper boots and the black ones as my Vader boots and, no matter how cold it gets in winter or how long I spend out in the snow, they keep my feet toasty. Now I really, really want have bought these long pink ones too.

I’ve just discovered that the mauve and black boots are actually grey and black, the site with them just had a badly coloured photo but I found them on the Timberland site. Now buying those too, while the discount is still available so I can get the 20% off them too, then I can choose one pair when I see them and return the other…. probably. Rats, can already feel myself wanting both but I really can’t keep both. The grey ones can be seen below the pink ones.

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Can teeth be too perfect?
Another thing I discovered was a place that offers to make perfect teeth look more crooked. Apparently some Japanese people are intimidated by perfection, so some folk are having their perfect teeth made to took slightly imperfect, in the hope that they will become more appealing to those who were intimidated by their previous perfection. Ah, Japan… full of surprises. While I dislike those absurdly white, almost strobing teeth that so many in the USA seem to admire and I don’t balk at slight, natural imperfections in the lie of the teeth, which they seem to abhor, I do find it odd to dislike and remove natural perfection. I think the are clip-on, so no actual harm done. You can see a site offering imperfection creation for teeth here.

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30
Sep
11

Moon Rabbit, Geisha Wallpaper & Paris Vogue

wafuku – noun: traditional Japanese clothing

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The Japanese Moon Rabbit
Tsukiyo no Usagi; the rabbit in the moon. The Moon rabbit in Japanese folklore is a rabbit that lives on the moon, based on pareidolia (the phenomenon of seeing images that seem significant, like clouds in the shape of objects, faces in foodstuffs etc) that identifies the markings of the moon as a rabbit (sometimes said to be a hare). The story exists in many cultures, particularly in East Asian folklore, where the rabbit is seen pounding in a mortar and pestle. In Japanese versions it is pounding the ingredients for mochi (rice cake/dumplings).


In the Japanese anthology, Konjaku Monogatarishu (lit. Anthology of Tales from the Past; a Japanese collection of over one thousand tales written during the late Heian period of 794-1185), a long, long time ago in a far distant land there lived a rabbit, a fox and a monkey who believed that they had sinned in their former lives. Thus, as punishment, they are reincarnated as animals. Determined to compensate for their former sins, they gathered one day and promised to each other to be good and love each other as brothers.

From heaven, Taishakuten, a deity in the Land of Gods, looked upon them in disbelief. “Impossible! The present world is filled with hatred! Even siblings will go as far as to hate, rob or even kill each other. These humans have no compassion and regret anymore, you are telling me that you ANIMALS have it?” he thought to himself. As a test of their true faith, Taishakuten transformed himself into a weak, old man, and descended to the sinful world where the three animals lived. He laid himself down on a path, pretending to be in severe sickness, great pain and nearing death.
Soon enough the three animals passed by this seemingly dying old man. “Salvation… please, help this old man. I have an unfinished journey in front of me, but I have been overcome by hunger and thirst… Anyone, anything, please offer this old man his salvation…” He begged to the three animals in a frail voice.
Seeing this as the perfect chance to prove their determination to be good, the monkey ran off into the forest and brought back fruits and vegetables; the fox went to the graveyard and brought back offerings to the dead that people have left behind; rice cakes, fish, beverages and such.

Rabbit Netsuke

Being small and weak and used only to collecting grass for food, the rabbit was not able to find anything to save the dying man. In great shame, he went back to the old man. “I am so sorry but I have not yet found anything; I will search elsewhere. Please make a fire and await my return”,  the rabbit requested.
Standing by the old man, the smug fox and monkey were getting impatient, “The rabbit brought back nothing and now he tells us to make a fire and wait for him? Useless!” exclaimed the fox and the monkey in disgust. Moments later the rabbit returned, still with nothing. He stared into the fire, then jumped into its flames, making himself food for the old man.
Taishakuten, was so very impressed and touched by such a self-sacrificing act that he proclaimed that the rabbit would be ascended to the moon, so that humans will remember the rabbit and his selfless act forever.

In Japanese art it is sometimes depicted as two rabbits on the moon.

The night of the 15th of September, or ‘Jugo-ya’ (Fifteenth night), is a time when the Japanese go out and appreciate the beauty of the mid-autumn full moon. Such activity is known as ‘O-tsuki-mi’ (moon viewing). ‘Mochi’ (rice dumplings), watermelons, chestnuts and numerous autumn fruits are offered to the bright, full moon. Such offerings are arranged on small, decorative stands and are placed near the windows of Japanese homes.

Rabbits are a popular motif on Japanese fans and textiles and all sorts of other items, like in the images of a Japanese textile and tabi shown above. Examples of rabbits depicted in Japanese antiques are this fabulous netsuke…


and this spectacular antique kimono…

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On a change of topic, I discovered this extremely expensive wallpaper the other day. I wouldn’t want it on my walls but it was interesting to see.

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Recently I saw this lovely furisode kimono in a Paris Vogue from Novemeber 2010…

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20
Sep
11

Bits & Pieces To While Away The Time

wafuku – noun: traditional Japanese clothing

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Osaka Station Water Clock
In Osaka station they have a fabulous clock that shows the time in water droplets. Between each minute it makes pretty designs. I’ve seen these great fountains before; they are controlled by computer and release carefully timed droplets that create patterns. I think they are so impressive. Photos and video on a blog at

http://gorimon.com/blog/log/eid1414.html

and a video below

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Great Advertisement
Watch it right to the end, it may look grim but is very funny…

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High Brow Finger Puppets
A shop in the US sells these finger puppets. Such an unlikely set of characters (they have other artists, playwrights and philosophers too) and I particularly like Shroedinger’s Cat. I wonder if it is dead or alive.


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Fun & Thrifty!
This takes me back. I remember these types of ‘things to do with’ guides. Oh how easily pleased we were back then; we didn’t beg for the latest expensive gadgets and toys, we got excited when given a handful of empty thread boobins or some such crap. As I recall, I never managed to get more than one spool a year, so that limited me a little when I wanted to make a snake from them.

This next recycling idea is somewhat horrifing now that we know the dangers of asbestos. For those, like me, in the UK, shingles are roof tiles.

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Everybody
I love these guys singing along to animé videos of The Backstreet Boy’s song Everybody. They get the actions and facial expressions just right and the guy on the left, with the great hair, is so very good at it. There are two versions, one with three animé characters and one with a single, different one. The version with the single character is longer though a bit fuzzy but don’t let the image quality put you off. Worth watching both. They almost make me like the song.


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17
Aug
11

How to Fold a Nagoya Obi & Other Obi Info

wafuku – noun: traditional Japanese clothing

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In this blog post you will find Nagoya obi, otaiko musubi tying instructions, how to wear obi makura, obiage and obijime, the names of the parts of an obi and the shapes and scale of different types of obi.

Let’s start with the folding instructions for Nagoya obis
Opened up your Nagoya obi and at a loss about how to fold it again?

I have put together the instructions below, to show you how to do it. You can drag the image to your desktop to keep a copy for use without having to come online for it.

Further down this page you also will find instructions for wearing an obi makura, obiage and obijime.

You can fold it up smaller, if you prefer, just do 4 folds at the last step instead of 3, then it is smaller but thicker

When I have time, I will draw out instructions for converting a Nagoya Obi into a tsukure (two part, pre-shaped, easy wear) one, with the taiko musuba (taiko knot) section, pre-folded and stitched into its ready to wear shape, and a separate sash, and post the instructions on this blog.

Whether a normal Nagoya obi, like the one above, or a tsukure Nagoya obi, you need an obi makura (bustle pad), for inside the top of the taiko knot, to pad it out, an obiage to hold the makura and the top of the knot section in place and an obijime to hold the centre section of the obi knot in place.

Obi Makura

Makura means ‘pillow’ and an obi makura is bustle padding that’s worn inside the top of an obi’s  taiko shaped rear knot, to pad out the top of it. The obiage holds the makura in place, though sometimes makuras also have ties.

Obiage

An obiage is an obi ‘scarf’, worn through the rear knot, over the makura, and tied at the top of the sash at the front, then tucked partially behind the sash. The obiage helps hold the makura and the obi’s rear knot in place. This pink obiage has shibori work; shibori is a very fine tie dye patterning that not only decorates it but makes it stretchy, so it is much longer than this photo of it unstretched makes it look. You can see how the shibori work pulls the patterned sections in, making them narrower than the sections without it.

Obijime

An obijime is an obi cord, worn through the centre of the obi’s rear knot and around the centre of the sash, tied at the front with the ends tucked into itself at the sides. It helps hold the obi’s rear knot (musuba) and the sash in place.
The diagram below shows how they go together on an obi with a taiko musuba (square taiko knot).

Names of obi sections

The next diagram shows you the names of the parts of an obi, both untied and tied into an otaiko musubi (taiko knot). Despite the fact that the knot is called taiko, meaning drum, and the base of the knot is described as the bottom of the drum, the obi musubi’s name taiko is not because of the Japanese hand drum, it was named after the Taiko Bridge because some geisha wore this new design of musubi at the bridge’s initial opening ceremony and this particular style then became fashionable and known as the taiko musubi and has remained very popular ever since.

Types of women’s obi

The following diagram shows the various types of obi to scale. It’s not very obvious but the fukuro obi is a little bit narrower than the maru obi. Only the sash section of the tsuke (two part) obi is shown. The tsuke’s knot is separate and pre-shaped.

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Women’s Obi Types

Darari obi is a very long maru obi worn by maiko. A maiko’s darari obi has the kamon insignia of its owner’s okiya in the other end. A darari obi can be 600 centimetres (20 ft) long.

Fukuro obi (pouch obi) is a grade less formal than a maru obi and the most formal obi actually used today. It has been made by either folding cloth in two or sewing two pieces of cloth together. If two cloths are used, the cloth used for to make the backside of the obi may be cheaper and the front cloth may be for example brocade. Not counting marriage outfits, the fukuro obi has replaced the heavy maru obi as the obi used for ceremonial wear and celebration.[8] A fukuro obi is often made so that the part that will not be visible when worn are of smooth, thinner and lighter silk.[7] A fukuro obi is about 30 centimetres (12 in) wide and 360 centimetres (11.8 ft) to 450 centimetres (14.8 ft) long. When worn, a fukuro obi is almost impossible to tell from a maru obi. Fukuro obis are made in roughly three subtypes. The most formal and expensive of these is patterned brocade on both sides. The second type is two-thirds patterned, the so-called “60 % fukuro obi”, and it is somewhat cheaper and lighter than the first type. The third type has patterns only in the parts that will be prominent when the obi is worn in the common taiko musubi.

Fukuro Nagoya obi or hassun Nagoya obi (“six inch Nagoya obi”) is an obi that has been sewn in two only where the taiko knot would begin. The part wound around the body is folded when put on. The fukuro Nagoya obi is intended for making the more formal, two-layer variation of the taiko musubi, the so-called nijuudaiko musubi. It is about 350 centimetres (11.5 ft) long.

Hakata obi (obi of Hakata) is an unlined woven obi that has a thick weft and thin warp.

Hoso obi (thin sash) is a collective name for informal half-width obis. Hoso obis are 15cm (5.9 in) or 20cm (7.9 in) wide and about 330cm (10.8 ft) long.

Hanhaba obi (half width obi) is an unlined and informal obi that is used with a yukata or an everyday kimono. Hanhaba obis are very popular these days. For use with yukata, reversible hanhaba obis are popular: they can be folded and twisted in several ways to create colour effects. A hanhaba obi is 15 centimetres (5.9 in) wide and 300 centimetres (9.8 ft) to 400 centimetres (13 ft) long. Tying it is relatively easy, and its use does not require pads or strings. The knots used for hanhaba obi are often simplified versions of bunko-musubi. As it is more “acceptable” to play with an informal obi, hanhaba obi is sometimes worn in self-invented styles, often with decorative ribbons and such.

Chuuya obi or Hara-awase obi is an informal obi that has sides of different colours/designs. Chuuya is often spelled chuya and means daytime and night time; the earliest chuuya obis were bright on one side and black on the other, like night and day, hence the name. Chuuya obi were used by iki-suji ladies in ancient Japan; iki-suji means a kind of kimono expert, such as a Geisha. Chuuya obi are now obsolete and are collectors’ items. They are fequently seen in pictures from the Edo and Meiji periods, but today it is hardly used. A chuuya obi has a (usually) dark, sparingly decorated side and another, more colourful and festive side, this way the obi can be worn both in everyday life and for celebration. The obi is about 30 cm (12 in) wide and 350 cm (11.5 ft) to 400 cm (13 ft) long.

Heko obi (soft obi) is a very informal obi made of soft, thin cloth, often dyed with shibori. Its traditional use is as an informal obi for children and men and there were times when it was considered totally inappropriate for women. Nowadays young girls and women can wear a heko obi with modern, informal kimonos and yukatas. An adult’s heko obi is the common size of an obi, about 20 centimetres (7.9 in) to 30 centimetres (12 in) wide and about 300 centimetres (9.8 ft) long.

Hitoe obi (means “single-layer obi”). It is made from silk cloth so stiff that the obi does not need lining or in-sewn stiffeners. One of these cloth types is called Hakata ori. A hitoe obi can be worn with everyday kimono or yukata. A hitoe obi is 15 centimetres (5.9 in) to 20 centimetres (7.9 in) wide (the so-called hanhaba obi) or 30 centimetres (12 in) wide and about 400 centimetres (13 ft) long.

Kobukuro obi is an unlined hoso obi whose width is 15 centimetres (5.9 in) or 20 centimetres (7.9 in) and length 300 centimetres (9.8 ft).

Kyo-bukuro obi (capital fukuro obi) was invented in the 1970s in Nishijin, Kyoto. It lies among the usage scale right between nagoya obi and fukuro obi, and can be used to smarten up an everyfay outfit. A kyo-bukuro obi is structured like a fukuro obi but is as short as a nagoya obi. It thus can also be turned inside out for wear like reversible obis. A kyo-bukuro obi is about 30 centimetres (12 in) wide and 350 centimetres (11.5 ft) long.

Maru obi (one-piece obi) is the most formal obi. It is made from cloth about 68 cm wide and is folded around a double lining and sewn together. The ornate pattern is along the entire length and on both sides. Maru obis were at their most popular during the Taisho and Meiji-periods. Their bulk and weight makes maru obis difficult to handle and nowadays they are worn mostly by geishas, maikos and others such. Another use for maru obi is as a part of a bride’s outfit. A maru obi is about 30 centimetres (12 in) to 35 centimetres (14 in) wide and 360 centimetres (11.8 ft) to 450 centimetres (14.8 ft) long, fully patterned[9] and often embroidered with metal-coated yarn and foil work.

Nagoya obi, or when differentiating from the fukuro Nagoya obi also called kyu-sun Nagoya obi, the nine inch nagoya obi) is the most used obi type today. A Nagoya obi can be told apart by its distinguishable structure: one end is folded and sewn in half, the other end is of full width. This is to make putting the obi on easier. A Nagoya obi can be partly or fully patterned. It is normally worn only in the taiko musubi style, and many Nagoya obis are designed so that they have patterns only in the part that will be most prominent in the knot. A Nagoya obi is shorter than other obi types, about 315 centimetres (10.33 ft) to 345 centimetres (11.32 ft) long, but of the same width, about 30 centimetres (12 in). Nagoya obi is relatively new. It was developed by a seamstress living in Nagoya at the end of the 1920s. The new easy-to-use obi gained popularity among Tokyo’s geishas, from whom it then was adopted by fashionable city women for their everyday wear. The formality and fanciness of a Nagoya obi depends on its material just like is with other obi types. Since the Nagoya obi was originally used as everyday wear it can never be part of a truly ceremonial outfit, but a Nagoya obi made from exquisite brocade can be accepted as semi-ceremonial wear. The term Nagoya obi can also refer to another obi with the same name, used centuries ago. This Nagoya obi was cord-like.

Odori obi (dance obi) is a name for obis used in dance acts. An odori obi is often big, simple-patterned and has patterns done in metallic colours so that it can be seen easily from the audience. An odori obi can be 10cm (3.9 in) to 30cm (12 in) wide and 350cm (11.5 ft) to 450cm (14.8 ft) long. As the term “odori obi” is not established, it can refer to any obi meant for dance acts.

Sakiori obi is a woven obi made by using yard or narrow strips from old clothes as weave. Sakiori obis are used with kimono worn at home. A sakiori obi is similar to a hanhaba obi in size and extremely informal.

Tenga obi (fancy obi) resembles a hanhaba obi but is more formal. It is usually wider and made from fancier cloth more suitable for celebration. The patterns usually include auspicious, celebratory motifs. A tenga obi is about 20cm (7.9 in) wide and 350cm (11.5 ft) to 400cm (13 ft) long.

Tsuke obi (also ccalled tsukuri obi or kantan obi) is any ready-tied obi, often in two parts, the sash and the knot, making it very easy to put on. It was first invented to aid women with arthritis who could no longer pull hard enough to tie their obi knots but it became popular with other women too, because it is so quick and convenient. The tsuke obi is fastened in place by ties. Tsuke obis are normally very informal and they are mostly used with yukatas but also available as more formal two-part nagoya obis.

White obi: In a traditional Japanese Shinto wedding ceremony, a bride will wear a white obi on her white kimono. In the Edo era, a widow may dress in all white to signify that she will not remarry. Thus, some very old, white obi may not have been used for weddings. The bride will change into numerous outfits on her wedding day, often brightly coloured ones as well as the white Shinto one. Formal obis worn by men are much narrower than those of women (the width is about 10 centimetres (3.9 in) at its most). The men’s obi is worn in much simpler fashion than women’s: it is wrapped around the waist, below the stomach and tied with a simple knot in the back.

Women’s Obi Accessories

Obiage is a scarf-like piece of cloth that covers up the obimakura and keeps the upper part of the obi knot in place. These days it is customary for an unmarried, young woman to let her obiage show from underneath the obi in the front. A married woman will tuck it deeper in and only allow it to peek. Obiage can be thought of as an undergarment for kimono, so letting it show is a little provocative.

Obidome is a small decorative accessory (obi ‘brooch’) that is fastened onto obijime at the centre front of the obi. The obijime threads through it and, when an obidome is worn, the obijime is tied at the back, inside the rear knot, instead of at the front. It is not used very often nowadays.

Pocchiri is a maiko’s especially ornate obidome. These maiko obidome are very decorative and very large. Once they graduate to full geisha/geiko, they no longer wear an obidome at all.

Obi-ita is a separate stiffener that keeps the obi flat, as it stops it creasing when one bends. It is a thin piece of cardboard covered with cloth and placed between the layers of obi when putting the obi on. Some types of obi-ita are attached around the waist with cords before the obi is put on.

Obijime is a cord, about 150 centimetres (4.9 ft) long, that is tied around the obi and through the knot,[15] and which doubles as decoration. It can be a woven string, or be constructed as a narrow sewn tube of fabric. There are both flat and round obijimes. They often have tassels at both ends and they are made from silk, satin, brocade or viscose. A cord-like or a padded tube obijime is considered more festive and ceremonial than a flat one.

Obi-makura is a small pillow that supports and shapes the obi knot, it acts as bustle padding. The most common knot these days, taiko musubi, is padded out at the top with a makura.


Men’s obi types:

Heko obi (soft obi) is an informal, soft obi, free flowing and usually made of shibori (tye-dyed) fabrics, traditionally silk. It is tied very informally. The adult’s heko obi is as long as a normal obi at 300cm (9.8 ft) to 400cm (13 ft), but relatively wide at up to 70cm (28 in). Adult men wear the heko obi only at home but young boys can wear it in public, for example at a summer festival with a yukata. On men it is tied to sit just below the belly at the front and tied slightly higher on the waist at the back.

Kaku obi (stiff obi) is another obi used by men. A formal kaku obi is about 10 centimetres (3.9 in) wide and 400 centimetres (13 ft) long and depending on its material, colours and pattern is suited to any and all occasions from everyday wear to a close relative’s funeral. A kaku obi typically is made of hakata ori which has length-wise stripes and woven pattern based on Buddhist symbols and is worn tied in the simple kai-no-kuchi knot.

Netsuke:

A Netsuke is an ornament suspended from the top of the obi and worn mostly by men. A pouch or container (remember, kimono have no pockets) can be attached with a cord and the netsuke stops the cord pulling out of the obi, securing the pouch that hangs below the obi.

Children’s Obi Types

Sanjaku obi (three foot long obi – but it is not the Imperial foot measurement of 12 inches) is a type of men’s obi. It is named after its length, three old Japanese feet (about 37.9 cm / 14.9 inches). The obi is sometimes called simply sanjaku. During the Edo period it was popular among the people as the obi for yukata-like kimonos because of its ease of use. According to some theories, the sanjaku obi originates from a scarf of the same length, which was folded and used as a sash. A sanjaku obi typically is shaped like a kaku obi, narrow and with short stitches. It is usually made from soft cotton-like cloth. Because of its shortness, the sanjaku obi is tied in the koma musubi, which is much like a square knot.

Shigoki obi was utility wear in the time of trailing kimonos, and was used to tie up the excess length when going out. Nowadays the shigoki obi’s only function is decorative. It is part of a 7-year-old girl’s outfit for celebration of shichi go san. Most often it is red or vermillion, sometimes bright green, with tasselled ends. You can see an woman wearing one on a white kimono in a photo on many of my women’s kimonos’ detail pages.

Heko obi A soft obi, like men’s heko obis, but in bright colours, usually tie died. Tied in a soft, simple bow at the back.

Tsuke obi (pre-tied, 2 part) is a popular obi used for children because of its ease of use. There are even formal tsuke obis available for children. These obis correspond to fukuro obis on the formality scale.

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The picture below shows an extended obi makura, known as azuma sugata, also known as a karyou makura, which aids in tying a variety of obi knots, such as fukurasuzume knots (sparrow knots), like the ones you see below it.

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Displaying an obi
Here are some very nice ways to display an obi, which are actually really simple to do.

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30
Mar
11

Happi Days

wafuku – noun: traditional Japanese clothing

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Happi Days

Happi are lightweight, cotton jackets, with standard style sleeves, not the deep, kimono style ones, and they are worn by the Japanese at festivals and sports events and sometimes worn as shop livery or by performewrs, such as taiko troupes. You can see one in the picture above.

Samue are suits with wrap-over jackets (similar to  jinbei tops), that have standard type sleeves and not kimono style ones, and trousers (often with elasticated at the ankles or with drawstrings there). Samue were originally field workers’ wear and can be seen worn by Buddhist monks when travelling. They are comfortable, casual wear. I only have one left on the site, as I have only ever bought a few. I am not sure if I have any more in my boxes but, if I have, it won’t be many and I don’t know when I will come across them. You can see a samue in the picture below.

Below, you can see a hanten. These tend to be slightly heavier cotton than happi and are often worn as work livery and sometimes seen at festivals. They too have standard style sleeves and not kimono style sleeves. They are also worn by Japanese firemen, whose hanten have belts. In the past, for fire fighting, they wore specially heavy weave hanten, matching trousers and special hoods that cover the whole head apart from the eyes and wore the lighter weight hanten at all other times. The firm, heavy weave helped make them fire resistant. Nowadays, I believe, they only wear the lighter weight ones and, when actually fighting fires, wear more modern fire fighting apparel.

I don’t have many hanten. I laid aside the one in the photo quite some time ago and have no idea where I put it, so it isn’t on the site yet but I will add the few I have as I find them. The one below isn’t mine but it is very cute: a modern, fleece, Elmo, Japanese, hoodie hanten.

The next picture shows a jinbei. These are light, summer tops, with wrap-over fronts that tie at one side. They sometimes come with matching shorts

I have that jinbei plus a jinbei and shorts set to add soon to the Jinbei section of my website. Children’s sizes of all these garments are in the Children’s Clothing section of the site and not in the new sections, which are only for adult ones.

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Here, below, you can see a girls’ red kimono; it is a kimono for Shichi-Go-San celebrations. Shichi-Go-San (Seven-Five-Three) is a traditional rite of passage and festival day in Japan for three and seven year old girls and for three and five year old boys, held annually on the weekend nearest to 15 November. Women’s kimonos are exceedingly long, because females wear kimonos with a big fold-over at the waist that shortens them when on, so these girl’s kimonos are excellent display items, as they are not nearly as long as adult ones.

If you want to wear a kimono as a pretty coat or want to wear one without the traditional, shortening fold-over at the waist, this girl’s size is great on an adult because children worn without the big fold-over at the waist, these kimonos for seven year old girls are surprisingly long and calf to ankle length on an adult, depending on height. Because children also wear them with big tucks sewn into the shoulders that make them narrower,  without those tucks, the shoulders are also wide enough for many adults to wear. My UK size 10, adult daughter wears this girl’s size, closed with a simple, 3 inch deep belt, and, as she is a fairly petite adult,  they are about ankle length on her. My older sister wears this size too, open, as lightweight, pretty, three-quarter-length-sleeved coats that are mid calf length on her. When in hospital recently, she also wore one as an open robe, which was greatly admired and brightened up her stay there.

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26
Jan
11

Get Creative – Dress Up Your Obi

wafuku – noun: traditional Japanese clothing

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Dress up your obi.

The traditional styles of wearing obis will always be correct but nowadays some kimono wearers are adding a touch of their own style to their obi wearing. They are varying the rear knots more but here I will concentrate on just the fronts. This first picture, of three women, shows the most traditional way to wear one’s obi, obiage and obijime.

The obijime (central cord) and obiage (obi scarf around the top of the obi sash) are not only decorative, they help hold the rear obi knot in place. Until recently, really the only way this look was decorated was by the addition of an obidome, a piece of jewellery that the obijime was threaded through and which sat at the centre front (or slightly off centre front) of the obi sash, instead of a knot in the obijime; the obijime knot is hidden inside the rear obi’s rear knot when an obidome is worn. See an example below.

Modern variations can be seen in the photo below, where the left image shows a little doll and the right shows customised buttons on the obijime.

Over recent years I have seen variations on how the obiage (the soft obi scarf tied round the top of the obi sash) is worn; sometimes tucked into the collar edges of the kimono, instead of tied in the customary centre knot, and, more recently, with a shaped board behind the obi sash, showing above it, with the obiage placed over it to take on the board’s shape, as you can see in the photo below. The three images show, left – folded & tucked obiage instead of tied, middle – obiage shaped over a board and, right – an obiage tucked into the kimono collar edges.

Obijime (obi cord) are usually tied at centre front, in a single knot, with the ends pulled round to the sides and tucked in. Double knots have also become popular, as you can see in two in the picture above, but some women are being much more adventurous with their obijime, obiage and obidome. See a selection of creative examples below.
The girl in pink has various modern twists to her obi wearing; she wears two obijime, one twisted around the other, her obiage is half one colour and half another and not tied at the ends, just tucked in, and above it she has a band of green fabric with two rows of ric-rac braid on top of  it.

The next one has the obiage tied in an offset bow and pearls wound around the obijime, which is worn without the customary knot at the front.

Next shows another with a bow tied obiage and a variation on the obijime positioning.

The girl, below, in the cream kimono has fastened her obiage rather differently and her obijime is tied in an ornate, loopy knot at one side.

This next young lady (kimono styling by Yumi Yamamoto) is wearing a lovely antique kimono, with a flower in the centre of her obi and a band of lace below the obi sash. Lace around obis has become very popular these days. She has another touch that is seen more and more these days, a band of stiffened fabric showing above the obi sash, below the obiage. Note too the lace edge to her han eri (juban under-kimono’s collar), showing at the neck, another recent fad.

The girl below is wearing a katamigawari kimono (meaning half and half, as it is half green floral and half red, like halves of two different kimonos), over which she has an obi with two added bands of lace, a belt with a bow around the centre instead of an obijime and a decorative tassel. (kimono styling by Yumi Yamamoto)

The following picture below shows the use of lace to cover the ohashori (the length shortening fold-over at the waist of the kimono), which may be done if the kimono is too short to allow the ohashidori to show the correct amount below the obi. The obiage hasn’t been tied around the top of the obi yet. The obi looks a touch pulled in by the obijime round it, this can be solved by putting an obi ita (a special stiffening board, sometimes called a mae ita) behind the sash to keep it rigid.

The obis below have, on the left, a belt with a little bow as the obijime and, on the right, a chain with little trinkets as the obijime. I absolutely love that cherries kimono and the haori worn over it is quite unusual, being knitted and lacy. I would just about give my right arm to have one of those mannequins. (kimono styling by Yumi Yamamoto)

The obi below has lace representing the obiage.

The obijime below is done in a very creative way. It’s simple but very effective.

The following two pictures show 4 kimonos worn very stylishly. The red furisode kimono, emblazoned with cranes, has a pretty white shigoki worn below the obi and the blue one, with the stylised pine pattern, has a red, smooth obiage worn below the obi sash, as well as a black obiage at the top of it.

The purple one shown below has a half collar of lace plus a nice bow and drop on the obijime. The red kimono is worn with a lovely striped shigoki below the obi.

The strip of photos below isn’t as clear as I’d have liked but you can see the obi arrangement and the lace jabot at the neck of the kimono. The frilly jabot is simply tied round the neck of the kimono with a thin, white cord. She also has an interesting, very contemporary, felt hat.

Here’s a nice one, from Tokyo Fashion. See how ornate that obijime is.

Here is an obi with a black taffeta ruffle and a band of maribu feather on an antique kimono. I love the black and white striped han-eri on the juban beneath the kimono and the red and black date-eri on the kimono’s collar edge.

Next, two obiage tied in bows above the sash, an obidome on the obijime and a pink shigoki below the obi.

Another view of the one above, without the blue tint to the photo.

Ok, the next one is not a human but this cat is rather cute and the bunny obidome on the obijime is delightul.

The next two photos, from a designer in Japan, show kimonos that have been shortened, with the cut off fabric made into a skirt and lots of lace and ruffle edges added to the outfit plus an obi with a chiffon band around it and an informally bowed pair of obijime, giving a young, stylish look that is unmistakenly Japanese, with lots of tradition in a very contemporary style outfit. Note, in the first of the photos,  the use of Doc Martin style boots along with a very traditional, white fur kimono shawl on a stand at the bottom.

Next you can see a similar kimono outfit to the black floral kimono above, worn with a organdie sash, with a big flower at the front of the obi and a pretty organdie creation at the back.

Another way to be creative with your obi is to customise the obi itself. This is not a new idea. Below you can see three antique obis that have been customised. The one on the left has hand embroidered kotoji (the bridges that hold up the strings on a Japanese harp called a koto) and the other two are hand painted in oil paints, the purple one with exquisite roses (which are not native to Japan and considered exotic) and the black one with a vase of roses and two cats.

This tradition of customising obis continues and you can see some excellent examples below, with contemporary designs. This black one, by Yield-For-Kimono, is beautifully stencilled with a pair of headphones on the rear and a boombox on the front, both joined by a cable. I especially like the unexpected choice of image for an obi. Brilliant! It turns a mofuku (mourning) obi into one that can now be worn anytime and is no longer confined to use when in mourning.

She is auctioning this wonderful obi and some kimonos on eBay, with all the money going to the Japan relief fund! You can see the kimonos modelled at Yield-For-Kimono and bid for each ensemble on eBay at Red Kimono Ensemble and at Black & Beige Kimono Ensemble (those eBay links may be gone now)

The red obi has appliqued cats on the front of the sash and on the centre of the rear bow knot. Tying the obijime in a casual bow is unusual too.

The obi in the next photo is worn with the obijime and obiage the traditional way but the addition of a red shigoki sash below the obi is particularly pretty.

So, when wearing your kimono outfit, you can bend the rules if you are brave and strict tradition isn’t required. Consider being creative and original and dress up your obi in any way you desire.

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Wafuku

This Wafuku blog is about Japanese kimonos, other traditional Japanese clothing and anything else, Japanese or otherwise, that tickles my fancy. Wafuku means traditional Japanese clothing, as opposed to more western-world clothing, which is called yofuku.

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Wafuku Kimonos, Japanese kimono, obi and more


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