Posts Tagged ‘obijime

17
Aug
11

How to Fold a Nagoya Obi & Other Obi Info

wafuku – noun: traditional Japanese clothing

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In this blog post you will find Nagoya obi, otaiko musubi tying instructions, how to wear obi makura, obiage and obijime, the names of the parts of an obi and the shapes and scale of different types of obi.

Let’s start with the folding instructions for Nagoya obis
Opened up your Nagoya obi and at a loss about how to fold it again?

I have put together the instructions below, to show you how to do it. You can drag the image to your desktop to keep a copy for use without having to come online for it.

Further down this page you also will find instructions for wearing an obi makura, obiage and obijime.

You can fold it up smaller, if you prefer, just do 4 folds at the last step instead of 3, then it is smaller but thicker

When I have time, I will draw out instructions for converting a Nagoya Obi into a tsukure (two part, pre-shaped, easy wear) one, with the taiko musuba (taiko knot) section, pre-folded and stitched into its ready to wear shape, and a separate sash, and post the instructions on this blog.

Whether a normal Nagoya obi, like the one above, or a tsukure Nagoya obi, you need an obi makura (bustle pad), for inside the top of the taiko knot, to pad it out, an obiage to hold the makura and the top of the knot section in place and an obijime to hold the centre section of the obi knot in place.

Obi Makura

Makura means ‘pillow’ and an obi makura is bustle padding that’s worn inside the top of an obi’s  taiko shaped rear knot, to pad out the top of it. The obiage holds the makura in place, though sometimes makuras also have ties.

Obiage

An obiage is an obi ‘scarf’, worn through the rear knot, over the makura, and tied at the top of the sash at the front, then tucked partially behind the sash. The obiage helps hold the makura and the obi’s rear knot in place. This pink obiage has shibori work; shibori is a very fine tie dye patterning that not only decorates it but makes it stretchy, so it is much longer than this photo of it unstretched makes it look. You can see how the shibori work pulls the patterned sections in, making them narrower than the sections without it.

Obijime

An obijime is an obi cord, worn through the centre of the obi’s rear knot and around the centre of the sash, tied at the front with the ends tucked into itself at the sides. It helps hold the obi’s rear knot (musuba) and the sash in place.
The diagram below shows how they go together on an obi with a taiko musuba (square taiko knot).

Names of obi sections

The next diagram shows you the names of the parts of an obi, both untied and tied into an otaiko musubi (taiko knot). Despite the fact that the knot is called taiko, meaning drum, and the base of the knot is described as the bottom of the drum, the obi musubi’s name taiko is not because of the Japanese hand drum, it was named after the Taiko Bridge because some geisha wore this new design of musubi at the bridge’s initial opening ceremony and this particular style then became fashionable and known as the taiko musubi and has remained very popular ever since.

Types of women’s obi

The following diagram shows the various types of obi to scale. It’s not very obvious but the fukuro obi is a little bit narrower than the maru obi. Only the sash section of the tsuke (two part) obi is shown. The tsuke’s knot is separate and pre-shaped.

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Women’s Obi Types

Darari obi is a very long maru obi worn by maiko. A maiko’s darari obi has the kamon insignia of its owner’s okiya in the other end. A darari obi can be 600 centimetres (20 ft) long.

Fukuro obi (pouch obi) is a grade less formal than a maru obi and the most formal obi actually used today. It has been made by either folding cloth in two or sewing two pieces of cloth together. If two cloths are used, the cloth used for to make the backside of the obi may be cheaper and the front cloth may be for example brocade. Not counting marriage outfits, the fukuro obi has replaced the heavy maru obi as the obi used for ceremonial wear and celebration.[8] A fukuro obi is often made so that the part that will not be visible when worn are of smooth, thinner and lighter silk.[7] A fukuro obi is about 30 centimetres (12 in) wide and 360 centimetres (11.8 ft) to 450 centimetres (14.8 ft) long. When worn, a fukuro obi is almost impossible to tell from a maru obi. Fukuro obis are made in roughly three subtypes. The most formal and expensive of these is patterned brocade on both sides. The second type is two-thirds patterned, the so-called “60 % fukuro obi”, and it is somewhat cheaper and lighter than the first type. The third type has patterns only in the parts that will be prominent when the obi is worn in the common taiko musubi.

Fukuro Nagoya obi or hassun Nagoya obi (“six inch Nagoya obi”) is an obi that has been sewn in two only where the taiko knot would begin. The part wound around the body is folded when put on. The fukuro Nagoya obi is intended for making the more formal, two-layer variation of the taiko musubi, the so-called nijuudaiko musubi. It is about 350 centimetres (11.5 ft) long.

Hakata obi (obi of Hakata) is an unlined woven obi that has a thick weft and thin warp.

Hoso obi (thin sash) is a collective name for informal half-width obis. Hoso obis are 15cm (5.9 in) or 20cm (7.9 in) wide and about 330cm (10.8 ft) long.

Hanhaba obi (half width obi) is an unlined and informal obi that is used with a yukata or an everyday kimono. Hanhaba obis are very popular these days. For use with yukata, reversible hanhaba obis are popular: they can be folded and twisted in several ways to create colour effects. A hanhaba obi is 15 centimetres (5.9 in) wide and 300 centimetres (9.8 ft) to 400 centimetres (13 ft) long. Tying it is relatively easy, and its use does not require pads or strings. The knots used for hanhaba obi are often simplified versions of bunko-musubi. As it is more “acceptable” to play with an informal obi, hanhaba obi is sometimes worn in self-invented styles, often with decorative ribbons and such.

Chuuya obi or Hara-awase obi is an informal obi that has sides of different colours/designs. Chuuya is often spelled chuya and means daytime and night time; the earliest chuuya obis were bright on one side and black on the other, like night and day, hence the name. Chuuya obi were used by iki-suji ladies in ancient Japan; iki-suji means a kind of kimono expert, such as a Geisha. Chuuya obi are now obsolete and are collectors’ items. They are fequently seen in pictures from the Edo and Meiji periods, but today it is hardly used. A chuuya obi has a (usually) dark, sparingly decorated side and another, more colourful and festive side, this way the obi can be worn both in everyday life and for celebration. The obi is about 30 cm (12 in) wide and 350 cm (11.5 ft) to 400 cm (13 ft) long.

Heko obi (soft obi) is a very informal obi made of soft, thin cloth, often dyed with shibori. Its traditional use is as an informal obi for children and men and there were times when it was considered totally inappropriate for women. Nowadays young girls and women can wear a heko obi with modern, informal kimonos and yukatas. An adult’s heko obi is the common size of an obi, about 20 centimetres (7.9 in) to 30 centimetres (12 in) wide and about 300 centimetres (9.8 ft) long.

Hitoe obi (means “single-layer obi”). It is made from silk cloth so stiff that the obi does not need lining or in-sewn stiffeners. One of these cloth types is called Hakata ori. A hitoe obi can be worn with everyday kimono or yukata. A hitoe obi is 15 centimetres (5.9 in) to 20 centimetres (7.9 in) wide (the so-called hanhaba obi) or 30 centimetres (12 in) wide and about 400 centimetres (13 ft) long.

Kobukuro obi is an unlined hoso obi whose width is 15 centimetres (5.9 in) or 20 centimetres (7.9 in) and length 300 centimetres (9.8 ft).

Kyo-bukuro obi (capital fukuro obi) was invented in the 1970s in Nishijin, Kyoto. It lies among the usage scale right between nagoya obi and fukuro obi, and can be used to smarten up an everyfay outfit. A kyo-bukuro obi is structured like a fukuro obi but is as short as a nagoya obi. It thus can also be turned inside out for wear like reversible obis. A kyo-bukuro obi is about 30 centimetres (12 in) wide and 350 centimetres (11.5 ft) long.

Maru obi (one-piece obi) is the most formal obi. It is made from cloth about 68 cm wide and is folded around a double lining and sewn together. The ornate pattern is along the entire length and on both sides. Maru obis were at their most popular during the Taisho and Meiji-periods. Their bulk and weight makes maru obis difficult to handle and nowadays they are worn mostly by geishas, maikos and others such. Another use for maru obi is as a part of a bride’s outfit. A maru obi is about 30 centimetres (12 in) to 35 centimetres (14 in) wide and 360 centimetres (11.8 ft) to 450 centimetres (14.8 ft) long, fully patterned[9] and often embroidered with metal-coated yarn and foil work.

Nagoya obi, or when differentiating from the fukuro Nagoya obi also called kyu-sun Nagoya obi, the nine inch nagoya obi) is the most used obi type today. A Nagoya obi can be told apart by its distinguishable structure: one end is folded and sewn in half, the other end is of full width. This is to make putting the obi on easier. A Nagoya obi can be partly or fully patterned. It is normally worn only in the taiko musubi style, and many Nagoya obis are designed so that they have patterns only in the part that will be most prominent in the knot. A Nagoya obi is shorter than other obi types, about 315 centimetres (10.33 ft) to 345 centimetres (11.32 ft) long, but of the same width, about 30 centimetres (12 in). Nagoya obi is relatively new. It was developed by a seamstress living in Nagoya at the end of the 1920s. The new easy-to-use obi gained popularity among Tokyo’s geishas, from whom it then was adopted by fashionable city women for their everyday wear. The formality and fanciness of a Nagoya obi depends on its material just like is with other obi types. Since the Nagoya obi was originally used as everyday wear it can never be part of a truly ceremonial outfit, but a Nagoya obi made from exquisite brocade can be accepted as semi-ceremonial wear. The term Nagoya obi can also refer to another obi with the same name, used centuries ago. This Nagoya obi was cord-like.

Odori obi (dance obi) is a name for obis used in dance acts. An odori obi is often big, simple-patterned and has patterns done in metallic colours so that it can be seen easily from the audience. An odori obi can be 10cm (3.9 in) to 30cm (12 in) wide and 350cm (11.5 ft) to 450cm (14.8 ft) long. As the term “odori obi” is not established, it can refer to any obi meant for dance acts.

Sakiori obi is a woven obi made by using yard or narrow strips from old clothes as weave. Sakiori obis are used with kimono worn at home. A sakiori obi is similar to a hanhaba obi in size and extremely informal.

Tenga obi (fancy obi) resembles a hanhaba obi but is more formal. It is usually wider and made from fancier cloth more suitable for celebration. The patterns usually include auspicious, celebratory motifs. A tenga obi is about 20cm (7.9 in) wide and 350cm (11.5 ft) to 400cm (13 ft) long.

Tsuke obi (also ccalled tsukuri obi or kantan obi) is any ready-tied obi, often in two parts, the sash and the knot, making it very easy to put on. It was first invented to aid women with arthritis who could no longer pull hard enough to tie their obi knots but it became popular with other women too, because it is so quick and convenient. The tsuke obi is fastened in place by ties. Tsuke obis are normally very informal and they are mostly used with yukatas but also available as more formal two-part nagoya obis.

White obi: In a traditional Japanese Shinto wedding ceremony, a bride will wear a white obi on her white kimono. In the Edo era, a widow may dress in all white to signify that she will not remarry. Thus, some very old, white obi may not have been used for weddings. The bride will change into numerous outfits on her wedding day, often brightly coloured ones as well as the white Shinto one. Formal obis worn by men are much narrower than those of women (the width is about 10 centimetres (3.9 in) at its most). The men’s obi is worn in much simpler fashion than women’s: it is wrapped around the waist, below the stomach and tied with a simple knot in the back.

Women’s Obi Accessories

Obiage is a scarf-like piece of cloth that covers up the obimakura and keeps the upper part of the obi knot in place. These days it is customary for an unmarried, young woman to let her obiage show from underneath the obi in the front. A married woman will tuck it deeper in and only allow it to peek. Obiage can be thought of as an undergarment for kimono, so letting it show is a little provocative.

Obidome is a small decorative accessory (obi ‘brooch’) that is fastened onto obijime at the centre front of the obi. The obijime threads through it and, when an obidome is worn, the obijime is tied at the back, inside the rear knot, instead of at the front. It is not used very often nowadays.

Pocchiri is a maiko’s especially ornate obidome. These maiko obidome are very decorative and very large. Once they graduate to full geisha/geiko, they no longer wear an obidome at all.

Obi-ita is a separate stiffener that keeps the obi flat, as it stops it creasing when one bends. It is a thin piece of cardboard covered with cloth and placed between the layers of obi when putting the obi on. Some types of obi-ita are attached around the waist with cords before the obi is put on.

Obijime is a cord, about 150 centimetres (4.9 ft) long, that is tied around the obi and through the knot,[15] and which doubles as decoration. It can be a woven string, or be constructed as a narrow sewn tube of fabric. There are both flat and round obijimes. They often have tassels at both ends and they are made from silk, satin, brocade or viscose. A cord-like or a padded tube obijime is considered more festive and ceremonial than a flat one.

Obi-makura is a small pillow that supports and shapes the obi knot, it acts as bustle padding. The most common knot these days, taiko musubi, is padded out at the top with a makura.


Men’s obi types:

Heko obi (soft obi) is an informal, soft obi, free flowing and usually made of shibori (tye-dyed) fabrics, traditionally silk. It is tied very informally. The adult’s heko obi is as long as a normal obi at 300cm (9.8 ft) to 400cm (13 ft), but relatively wide at up to 70cm (28 in). Adult men wear the heko obi only at home but young boys can wear it in public, for example at a summer festival with a yukata. On men it is tied to sit just below the belly at the front and tied slightly higher on the waist at the back.

Kaku obi (stiff obi) is another obi used by men. A formal kaku obi is about 10 centimetres (3.9 in) wide and 400 centimetres (13 ft) long and depending on its material, colours and pattern is suited to any and all occasions from everyday wear to a close relative’s funeral. A kaku obi typically is made of hakata ori which has length-wise stripes and woven pattern based on Buddhist symbols and is worn tied in the simple kai-no-kuchi knot.

Netsuke:

A Netsuke is an ornament suspended from the top of the obi and worn mostly by men. A pouch or container (remember, kimono have no pockets) can be attached with a cord and the netsuke stops the cord pulling out of the obi, securing the pouch that hangs below the obi.

Children’s Obi Types

Sanjaku obi (three foot long obi – but it is not the Imperial foot measurement of 12 inches) is a type of men’s obi. It is named after its length, three old Japanese feet (about 37.9 cm / 14.9 inches). The obi is sometimes called simply sanjaku. During the Edo period it was popular among the people as the obi for yukata-like kimonos because of its ease of use. According to some theories, the sanjaku obi originates from a scarf of the same length, which was folded and used as a sash. A sanjaku obi typically is shaped like a kaku obi, narrow and with short stitches. It is usually made from soft cotton-like cloth. Because of its shortness, the sanjaku obi is tied in the koma musubi, which is much like a square knot.

Shigoki obi was utility wear in the time of trailing kimonos, and was used to tie up the excess length when going out. Nowadays the shigoki obi’s only function is decorative. It is part of a 7-year-old girl’s outfit for celebration of shichi go san. Most often it is red or vermillion, sometimes bright green, with tasselled ends. You can see an woman wearing one on a white kimono in a photo on many of my women’s kimonos’ detail pages.

Heko obi A soft obi, like men’s heko obis, but in bright colours, usually tie died. Tied in a soft, simple bow at the back.

Tsuke obi (pre-tied, 2 part) is a popular obi used for children because of its ease of use. There are even formal tsuke obis available for children. These obis correspond to fukuro obis on the formality scale.

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The picture below shows an extended obi makura, known as azuma sugata, also known as a karyou makura, which aids in tying a variety of obi knots, such as fukurasuzume knots (sparrow knots), like the ones you see below it.

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Displaying an obi
Here are some very nice ways to display an obi, which are actually really simple to do.

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26
Jan
11

Get Creative – Dress Up Your Obi

wafuku – noun: traditional Japanese clothing

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Dress up your obi.

The traditional styles of wearing obis will always be correct but nowadays some kimono wearers are adding a touch of their own style to their obi wearing. They are varying the rear knots more but here I will concentrate on just the fronts. This first picture, of three women, shows the most traditional way to wear one’s obi, obiage and obijime.

The obijime (central cord) and obiage (obi scarf around the top of the obi sash) are not only decorative, they help hold the rear obi knot in place. Until recently, really the only way this look was decorated was by the addition of an obidome, a piece of jewellery that the obijime was threaded through and which sat at the centre front (or slightly off centre front) of the obi sash, instead of a knot in the obijime; the obijime knot is hidden inside the rear obi’s rear knot when an obidome is worn. See an example below.

Modern variations can be seen in the photo below, where the left image shows a little doll and the right shows customised buttons on the obijime.

Over recent years I have seen variations on how the obiage (the soft obi scarf tied round the top of the obi sash) is worn; sometimes tucked into the collar edges of the kimono, instead of tied in the customary centre knot, and, more recently, with a shaped board behind the obi sash, showing above it, with the obiage placed over it to take on the board’s shape, as you can see in the photo below. The three images show, left – folded & tucked obiage instead of tied, middle – obiage shaped over a board and, right – an obiage tucked into the kimono collar edges.

Obijime (obi cord) are usually tied at centre front, in a single knot, with the ends pulled round to the sides and tucked in. Double knots have also become popular, as you can see in two in the picture above, but some women are being much more adventurous with their obijime, obiage and obidome. See a selection of creative examples below.
The girl in pink has various modern twists to her obi wearing; she wears two obijime, one twisted around the other, her obiage is half one colour and half another and not tied at the ends, just tucked in, and above it she has a band of green fabric with two rows of ric-rac braid on top of  it.

The next one has the obiage tied in an offset bow and pearls wound around the obijime, which is worn without the customary knot at the front.

Next shows another with a bow tied obiage and a variation on the obijime positioning.

The girl, below, in the cream kimono has fastened her obiage rather differently and her obijime is tied in an ornate, loopy knot at one side.

This next young lady (kimono styling by Yumi Yamamoto) is wearing a lovely antique kimono, with a flower in the centre of her obi and a band of lace below the obi sash. Lace around obis has become very popular these days. She has another touch that is seen more and more these days, a band of stiffened fabric showing above the obi sash, below the obiage. Note too the lace edge to her han eri (juban under-kimono’s collar), showing at the neck, another recent fad.

The girl below is wearing a katamigawari kimono (meaning half and half, as it is half green floral and half red, like halves of two different kimonos), over which she has an obi with two added bands of lace, a belt with a bow around the centre instead of an obijime and a decorative tassel. (kimono styling by Yumi Yamamoto)

The following picture below shows the use of lace to cover the ohashori (the length shortening fold-over at the waist of the kimono), which may be done if the kimono is too short to allow the ohashidori to show the correct amount below the obi. The obiage hasn’t been tied around the top of the obi yet. The obi looks a touch pulled in by the obijime round it, this can be solved by putting an obi ita (a special stiffening board, sometimes called a mae ita) behind the sash to keep it rigid.

The obis below have, on the left, a belt with a little bow as the obijime and, on the right, a chain with little trinkets as the obijime. I absolutely love that cherries kimono and the haori worn over it is quite unusual, being knitted and lacy. I would just about give my right arm to have one of those mannequins. (kimono styling by Yumi Yamamoto)

The obi below has lace representing the obiage.

The obijime below is done in a very creative way. It’s simple but very effective.

The following two pictures show 4 kimonos worn very stylishly. The red furisode kimono, emblazoned with cranes, has a pretty white shigoki worn below the obi and the blue one, with the stylised pine pattern, has a red, smooth obiage worn below the obi sash, as well as a black obiage at the top of it.

The purple one shown below has a half collar of lace plus a nice bow and drop on the obijime. The red kimono is worn with a lovely striped shigoki below the obi.

The strip of photos below isn’t as clear as I’d have liked but you can see the obi arrangement and the lace jabot at the neck of the kimono. The frilly jabot is simply tied round the neck of the kimono with a thin, white cord. She also has an interesting, very contemporary, felt hat.

Here’s a nice one, from Tokyo Fashion. See how ornate that obijime is.

Here is an obi with a black taffeta ruffle and a band of maribu feather on an antique kimono. I love the black and white striped han-eri on the juban beneath the kimono and the red and black date-eri on the kimono’s collar edge.

Next, two obiage tied in bows above the sash, an obidome on the obijime and a pink shigoki below the obi.

Another view of the one above, without the blue tint to the photo.

Ok, the next one is not a human but this cat is rather cute and the bunny obidome on the obijime is delightul.

The next two photos, from a designer in Japan, show kimonos that have been shortened, with the cut off fabric made into a skirt and lots of lace and ruffle edges added to the outfit plus an obi with a chiffon band around it and an informally bowed pair of obijime, giving a young, stylish look that is unmistakenly Japanese, with lots of tradition in a very contemporary style outfit. Note, in the first of the photos,  the use of Doc Martin style boots along with a very traditional, white fur kimono shawl on a stand at the bottom.

Next you can see a similar kimono outfit to the black floral kimono above, worn with a organdie sash, with a big flower at the front of the obi and a pretty organdie creation at the back.

Another way to be creative with your obi is to customise the obi itself. This is not a new idea. Below you can see three antique obis that have been customised. The one on the left has hand embroidered kotoji (the bridges that hold up the strings on a Japanese harp called a koto) and the other two are hand painted in oil paints, the purple one with exquisite roses (which are not native to Japan and considered exotic) and the black one with a vase of roses and two cats.

This tradition of customising obis continues and you can see some excellent examples below, with contemporary designs. This black one, by Yield-For-Kimono, is beautifully stencilled with a pair of headphones on the rear and a boombox on the front, both joined by a cable. I especially like the unexpected choice of image for an obi. Brilliant! It turns a mofuku (mourning) obi into one that can now be worn anytime and is no longer confined to use when in mourning.

She is auctioning this wonderful obi and some kimonos on eBay, with all the money going to the Japan relief fund! You can see the kimonos modelled at Yield-For-Kimono and bid for each ensemble on eBay at Red Kimono Ensemble and at Black & Beige Kimono Ensemble (those eBay links may be gone now)

The red obi has appliqued cats on the front of the sash and on the centre of the rear bow knot. Tying the obijime in a casual bow is unusual too.

The obi in the next photo is worn with the obijime and obiage the traditional way but the addition of a red shigoki sash below the obi is particularly pretty.

So, when wearing your kimono outfit, you can bend the rules if you are brave and strict tradition isn’t required. Consider being creative and original and dress up your obi in any way you desire.

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05
Mar
09

Obis Galore – wafuku.co.uk – Vintage Japanese Kimonos etc.

wafuku – noun: traditional Japanese clothing

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Obis Galore

oil painted purple silk obi

The obi above is a purple silk, two part nagoya obi, with a hand painted oil painting of glorious flowers. The large white stitching around the edges is just to keep them neat during storage, they just get pulled out before use.

The obi below has a lovely example of a stylised peacock and sensu (folding fan) shapes, woven in iridescent and metallic, urushi (lacquer coated) thread. The peacock’s feathers shimmer with metallic colours.

peacock nagoya obi

The photos show the rear section of the obis; this shape is known as a taiko. Contrary to what many believe, this shape ‘knot’ is not named after the little taiko hand drums, it is named after the Taiko bridge where this shape of knot was first worn on the opening of the bridge. It was worn by a few geisha and quickly caught on and became fashionable. Although called a knot, it is not actually tied into this shape; The obi sash section is tied and the knot section is folded into this shape and held in place using an obiage and an obijime. The taiko is padded out at the top with a bustle pad called a makura. You can see a nagoya obi being tied into this shape in the video instruction in one of my earlier posts on this blog.

Below is a maru obi.  Maru obis tend to be extra expensive because they have pattern along their entire length and on both sides. Fukuro and nagoya obis usually have pattern on only one side and often only on the parts that show; the section of the sash that doesn’t show may be plain.

maru obi

The next picture shows a reversible, man’s kaku obi and, the picture below that shows a heko obi. Kaku obis are formal wear for indoors and outdoors and a heko, soft obi (also known as a house obi) may used for informal wear at home. The kaku obi has one pattern in the weave on one side and a different one on the other. A kaku obi is wound round the waist and tied at the rear in a clam knot, the heko obi can be tied at the rear in a simple, floppy bow.

kaku obi

Below is a man’s, silk heko obi

heko obi

Obis are exceedingly long, as they are wound round the body more than once, and a woman’s one in particular requires a lot of length for the rear knot too. For example, the heko obi above is 303cm long, 70cm wide and is about half a kilo of silk. A women’s obi is usually much heavier and can cost as much or more than the kimono it is worn with. The obi is always bought separately from the kimono. Think of it like a skirt and blouse, you can’t wear either just on its own; you buy them separately and mix and match.

heko obi

The picture above shows Maiko’s obis, called darari obis. Maiko wear their obis with the ends hanging down at the back and their geisha house’s mon (crest) on the end. Even used, damaged darari obis are incredibly expensive and I have not yet been able to afford one.

Geisha (nowadays called geiko) are hostesses, they are not prostitutes; long ago obis were tied at the front but, when they became deeper and the knots became bulkier, they were worn tied at the back instead and have remained so ever since but the way to tell a prostitute from a geisha used to be that a prostitute continued to wear her obi tied at the front, which made it easier to remove and put back on.




Wafuku

This Wafuku blog is about Japanese kimonos, other traditional Japanese clothing and anything else, Japanese or otherwise, that tickles my fancy. Wafuku means traditional Japanese clothing, as opposed to more western-world clothing, which is called yofuku.

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