Posts Tagged ‘silk

09
Feb
13

Ichimatsu & More

wafuku – noun: traditional Japanese clothing

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From tan to kimono

One of my customers, Ms Walker, bought some tan (bolts of textile specifically woven for kimonos, also called tanmomo) and had a kimono maker tailor them up for her. Her kimonos are beautiful and I am very grateful that she allowed me to post photos of them here.

The first shows a grey one,  a wool kimono, very simple and elegant. I like her choice of obi, with its broad, black band, echoing the bands on the kimono.

isolde kimono 2

The second shows a wonderful ichimatsu kimono. Ms Walker looks absolutely stunning. Her obi is a lovely choiceof both colour and design to go with the bold, geometric design of the kimono.

isolde kimono 2013

Ichimatsu is a popular design on traditional Japanese clothing; it is a checkerboard pattern, named after the kabuki actor, Ichimatsu Sanogawa, from the Edo era. When he wore hakama with thchecked design, it quickly became a fashionable pattern. It then became his trademark pattern. There is a type of doll named after Ichimatsu too, they were originally dolls that looked like him but eventually evolved into dolls of children, so we no longer think of an ichimatsu doll being one that is modelled on that actor.
Many patterns that became fashionable among the general public came from kabuki actors.
The photo below shows one of the  geisha’s obi from my www.wafuku.co.uk website, with black and silver ichimatsu pattern.

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This spectacular kimono, with forest and mountain design, is a wonderful example of Japanese textile art.

misty forest kimono

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Talking of Japanese textile art

Check out this amazing bolt of silk, with huge fish (perhaps red snapper) on it. Woven to make a naga- juban, underwear kimono.

purp red snapper bolt womens juban or haori

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Skate Booties

My daughter bought herself some of these Jeffrey Campbell skate booties, which are particularly popular in Japan.

skatebooties  jeffreycampbell

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You can also check out my www.wafuku.co.uk website, providing vintage & antique Japanese kimonos & collectables.

www.wafuku.co.uk

26
Jan
11

Get Creative – Dress Up Your Obi

wafuku – noun: traditional Japanese clothing

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Dress up your obi.

The traditional styles of wearing obis will always be correct but nowadays some kimono wearers are adding a touch of their own style to their obi wearing. They are varying the rear knots more but here I will concentrate on just the fronts. This first picture, of three women, shows the most traditional way to wear one’s obi, obiage and obijime.

The obijime (central cord) and obiage (obi scarf around the top of the obi sash) are not only decorative, they help hold the rear obi knot in place. Until recently, really the only way this look was decorated was by the addition of an obidome, a piece of jewellery that the obijime was threaded through and which sat at the centre front (or slightly off centre front) of the obi sash, instead of a knot in the obijime; the obijime knot is hidden inside the rear obi’s rear knot when an obidome is worn. See an example below.

Modern variations can be seen in the photo below, where the left image shows a little doll and the right shows customised buttons on the obijime.

Over recent years I have seen variations on how the obiage (the soft obi scarf tied round the top of the obi sash) is worn; sometimes tucked into the collar edges of the kimono, instead of tied in the customary centre knot, and, more recently, with a shaped board behind the obi sash, showing above it, with the obiage placed over it to take on the board’s shape, as you can see in the photo below. The three images show, left – folded & tucked obiage instead of tied, middle – obiage shaped over a board and, right – an obiage tucked into the kimono collar edges.

Obijime (obi cord) are usually tied at centre front, in a single knot, with the ends pulled round to the sides and tucked in. Double knots have also become popular, as you can see in two in the picture above, but some women are being much more adventurous with their obijime, obiage and obidome. See a selection of creative examples below.
The girl in pink has various modern twists to her obi wearing; she wears two obijime, one twisted around the other, her obiage is half one colour and half another and not tied at the ends, just tucked in, and above it she has a band of green fabric with two rows of ric-rac braid on top of  it.

The next one has the obiage tied in an offset bow and pearls wound around the obijime, which is worn without the customary knot at the front.

Next shows another with a bow tied obiage and a variation on the obijime positioning.

The girl, below, in the cream kimono has fastened her obiage rather differently and her obijime is tied in an ornate, loopy knot at one side.

This next young lady (kimono styling by Yumi Yamamoto) is wearing a lovely antique kimono, with a flower in the centre of her obi and a band of lace below the obi sash. Lace around obis has become very popular these days. She has another touch that is seen more and more these days, a band of stiffened fabric showing above the obi sash, below the obiage. Note too the lace edge to her han eri (juban under-kimono’s collar), showing at the neck, another recent fad.

The girl below is wearing a katamigawari kimono (meaning half and half, as it is half green floral and half red, like halves of two different kimonos), over which she has an obi with two added bands of lace, a belt with a bow around the centre instead of an obijime and a decorative tassel. (kimono styling by Yumi Yamamoto)

The following picture below shows the use of lace to cover the ohashori (the length shortening fold-over at the waist of the kimono), which may be done if the kimono is too short to allow the ohashidori to show the correct amount below the obi. The obiage hasn’t been tied around the top of the obi yet. The obi looks a touch pulled in by the obijime round it, this can be solved by putting an obi ita (a special stiffening board, sometimes called a mae ita) behind the sash to keep it rigid.

The obis below have, on the left, a belt with a little bow as the obijime and, on the right, a chain with little trinkets as the obijime. I absolutely love that cherries kimono and the haori worn over it is quite unusual, being knitted and lacy. I would just about give my right arm to have one of those mannequins. (kimono styling by Yumi Yamamoto)

The obi below has lace representing the obiage.

The obijime below is done in a very creative way. It’s simple but very effective.

The following two pictures show 4 kimonos worn very stylishly. The red furisode kimono, emblazoned with cranes, has a pretty white shigoki worn below the obi and the blue one, with the stylised pine pattern, has a red, smooth obiage worn below the obi sash, as well as a black obiage at the top of it.

The purple one shown below has a half collar of lace plus a nice bow and drop on the obijime. The red kimono is worn with a lovely striped shigoki below the obi.

The strip of photos below isn’t as clear as I’d have liked but you can see the obi arrangement and the lace jabot at the neck of the kimono. The frilly jabot is simply tied round the neck of the kimono with a thin, white cord. She also has an interesting, very contemporary, felt hat.

Here’s a nice one, from Tokyo Fashion. See how ornate that obijime is.

Here is an obi with a black taffeta ruffle and a band of maribu feather on an antique kimono. I love the black and white striped han-eri on the juban beneath the kimono and the red and black date-eri on the kimono’s collar edge.

Next, two obiage tied in bows above the sash, an obidome on the obijime and a pink shigoki below the obi.

Another view of the one above, without the blue tint to the photo.

Ok, the next one is not a human but this cat is rather cute and the bunny obidome on the obijime is delightul.

The next two photos, from a designer in Japan, show kimonos that have been shortened, with the cut off fabric made into a skirt and lots of lace and ruffle edges added to the outfit plus an obi with a chiffon band around it and an informally bowed pair of obijime, giving a young, stylish look that is unmistakenly Japanese, with lots of tradition in a very contemporary style outfit. Note, in the first of the photos,  the use of Doc Martin style boots along with a very traditional, white fur kimono shawl on a stand at the bottom.

Next you can see a similar kimono outfit to the black floral kimono above, worn with a organdie sash, with a big flower at the front of the obi and a pretty organdie creation at the back.

Another way to be creative with your obi is to customise the obi itself. This is not a new idea. Below you can see three antique obis that have been customised. The one on the left has hand embroidered kotoji (the bridges that hold up the strings on a Japanese harp called a koto) and the other two are hand painted in oil paints, the purple one with exquisite roses (which are not native to Japan and considered exotic) and the black one with a vase of roses and two cats.

This tradition of customising obis continues and you can see some excellent examples below, with contemporary designs. This black one, by Yield-For-Kimono, is beautifully stencilled with a pair of headphones on the rear and a boombox on the front, both joined by a cable. I especially like the unexpected choice of image for an obi. Brilliant! It turns a mofuku (mourning) obi into one that can now be worn anytime and is no longer confined to use when in mourning.

She is auctioning this wonderful obi and some kimonos on eBay, with all the money going to the Japan relief fund! You can see the kimonos modelled at Yield-For-Kimono and bid for each ensemble on eBay at Red Kimono Ensemble and at Black & Beige Kimono Ensemble (those eBay links may be gone now)

The red obi has appliqued cats on the front of the sash and on the centre of the rear bow knot. Tying the obijime in a casual bow is unusual too.

The obi in the next photo is worn with the obijime and obiage the traditional way but the addition of a red shigoki sash below the obi is particularly pretty.

So, when wearing your kimono outfit, you can bend the rules if you are brave and strict tradition isn’t required. Consider being creative and original and dress up your obi in any way you desire.

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17
Dec
10

Where Did The Time Go?

wafuku – noun: traditional Japanese clothing

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Another Christmas approaches.

I don’t know where the year went; suddenly the end of it is upon us. The past few weeks have been rather hectic. After years of feezing my rear off in my little cottage each winter, I had a new and more efficient boiler put in three weeks ago, when my old one died, and had three big windows double glazed to try to keep  some of the heat in. Both jobs caused much upheavel so my house has been a complete mess, with stuff stacked all over the place to allow the workmen to lift floorboards, rip out windows etc. and the house ended up with a thick layer of dust covering everything inside. Having failed to expect this, I hadn’t covered much, so everything has needed washed and I’m far from finished that task.

I have also, thankfully, been very busy with Christmas orders. It was ‘fun’ getting through the snow to the Post Office with heaps of packages, some of which sat in the Post Office for days as this little town was snow bound.

I’ve also been helping my daughter and her fiancé to lag under the floorboards of their new flat in Glasgow and will be helping with that again this weekend, weather permitting. Talking of which, I really hope the snow doesn’t block the roads this coming week, so my daughter can be here for Christmas.

Above, you can see a photo I took of a lovely uchikake that my daughter has hung in her bedroom. It’s an odd one, a child’s uchikake. An uchikake is a wedding kimono, worn by a bride, rather like a trailing coat, open over a kimono, so it is somewhat strange to have a child’s one. I haven’t been able to find out why such a thing exists. It would fit a girl of about 7-10 uears old but girls of that age do not marry in Japan and it is not an antique or anything, so not from a time when children might marry. Someone suggestied it might be for a play or something like that but it is a very high quality garment and must have cost a huge amount originally. I can’t make sense of it but it is a beautiful thing and much easier to display than an adult’s uchikake, being much smaller. Below, you can see the faric close up. The entire backgound of the fabric has gold woven through it, so, when the light hits it a certain way, the entire kimono shines gold. The bouquets of flowers and the trailing cords are embroidered.

The picture below shows it closed, as it hangs on my daughter’s bedroom wall, above the bed, though the photo isn’t very good quality and does not do it justice at all.

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This is Vicky Barton, telling me that she loved the kimono she got from me. She sent me the photo you see below, of her wearing it. Vicky kindly said I may add the photo to my blog, so you can see her below in a very Japanese style garden, holding a very menacing Japanese katana (sword). The kimono Vicky is weraing has lucky mallets and lines of kanji (Japanese text) all over it.

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This summer there were some Japanese people visiting my mother. In the next photo, taken that evening, we are holding an embroidered obi. I am very petite, just under 5′ 2″, although my tabi boots do have 2 inch heels, but you can see how petite the Japanese lady is; it’s quite a novelty to me to stand beside an adult who is smaller than I am. The kimono she is wearing is a cotton yukata kimono. Yukata kimonos are casual kimonos, worn in summer, particularly as robes at home and at summer festivals; any time in summer when one wants to dress casually. The obi worn with a yukata is called a hanhaba obi and is narrower than the more formal obis and much easier to tie. When wearing geta or zori shoes with a yukata, one wears them with bare feet, not with tabi socks. With more formal kimonos, one would always wear tabi.

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A tomesode kimono, with fishing village scene.

A girls’ red kimono, for Shichigosan celebrations. (Update – this is the one they chose for the article)

A ko-furisode kimono, with sakura fubuki (shower of cherry blossoms; as they fall from the tree), with gold lacquer detailing

A black silk haori, with a striking, red itogiku (spider chrysanthemum, also called rangiku).

A black, silk haori, with stunning, metallic urushi (lacquer coated silk thread) mountains and mist.

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I wish you all a happy Yuletide.


10
Aug
10

More Japanese Textiles

wafuku – noun: traditional Japanese clothing

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More Japanese Textiles

…and the reddish cats on grey silk

Next is a very Japanese motif, flying cranes, on a glorious purple silk.

The one below is an odd one, it is a very fine, high quality, soft wool textile, so fine it almost feels like soft cotton, with Thumper the rabbit from the Disney film Bambi. Not what one thinks of as a Japanese motif but the Japanese did like early Disney animations, so one occasionally finds characters from them on their textiles. This is an entire bolt of textile, roughly 12 metres, woven to make a child’s kimono and haori ensemble.

I can’t resist any Japanese textiles, whether unused lengths of fabric or already made up into fabulous Japanese wafuku.

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06
Jul
10

Textile Art To Die For – Or Wed For

wafuku – noun: traditional Japanese clothing

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My latest uchikake kimono

I know I must not buy more kimonos, I can’t move for the things and my home is now a warehouse with them crowding me out of every room but I could not resist the exquisite uchikake kimono you see below. It was expensive, as was the shipping from Japan, since it weighs about 6 kilos, so I can’t keep it and it will end up for sale on my website but I get to own it briefly, at least, and that will do. I have nowhere to display it anyway and it does not deserve to be hidden away in a box. It hasn’t arrived from Japan yet but I am quite excited about seeing it up close.

An uchikake is worn by a bride in Japan, part of one of many outfits she wears on her wedding day. They are not worn with an obi, they are worn open, rather like a coat, over her kimono and obi.

Uchikake are worn trailing on the ground, the bride stands with the hem laid out around her and the padded hem makes the bottom lie beautifully

It has magnificent aranami (wild waves), flying tsuru (cranes) and kumo (clouds). Cranes are a popular motif on wedding kimonos, as they are symbols of longevity, fidelity and loyalty. The Japanese believed cranes live for one thousand years. They mate for life.

On the front and on the back of one sleeve are red botan (peonies), symbolising happiness, wealth, and honour.

This uchikake is pure silk and has yuzen textile art, which means it was hand painted on the bolt of fabric used to make it. It will have cost ten to twenty thousand pounds, easily. In Japan, brides usually hire the uchikake for the wedding day, which will still cost a couple of thousand for the day’s hire. This makes buying a vintage one, for wear or display, a real bargain, as it will only cost a few hundred pounds and you get to keep it.


07
Jun
10

Haori Photo Shoot – The Versatile Kimono Jacket

wafuku – noun: traditional Japanese clothing

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Haoris in the sunshine – A photo shoot with fabulous, Japanese haori kimono jackets

Saturday was a beautiful, sunny day here in Scotland, so I made the most of it and had a photo session to get pictures of a few of my Japanese haori kimono jackets. Astrella modelled them all for me, sweltering in the heat without a word of complaint. We took 331 photos and I have selected 58 for you to feast your eyes on here.  The pictures may help you gauge the general length of them, as haori are longer than many people realise from pictures of them just on a hanger. Astrella is five foot one inch tall (roughly 155cm) and a UK size 10 and about 125 cm from wrist to wrist.

The first haori shown below is covered in large, pink and white ume (plum bossom) and shows how good haori can look when worn with a belt, which is something the Japanese don’t do. They wear them unbelted on top of a kimono and obi. You may notice that haori (and kimono) sleeve seams lie down the arms a bit, not up at the edge of the shoulders. The traditional way of fastening a haori, if one chooses to fasten it at all,  is with a single tie, just inside the fronts, called a himo, which holds the fronts edge to edge, not overlapped. As you can see, though, from photos on this page, haori do also look extremely good with a a belt added. The first one below is being worn with a wide elastic belt.

This next one has magnificent textile art of bright flowers on black, shown modelled with a narrow leather belt as well as without a belt. The large white stitching at the edge of the sleeves is called shitsuke and is often put in, by the Japanese, just to keep garment seams neat during storage. It is simply pulled out before wearing but, as this haori was just being modelled, I left it in.

All but one of the haoris in these photographs is pure silk, inside and out, and all are entirely hand tailored, with the seam edges completely hidden in the lined ones, so those can actually be worn inside out too. Some have hand applied textile art. The quality of the fabric and workmanship is absolutely exquisite.

The following photograph shows a haori in a pretty pink, with a design of magenta leaves.

Now a touch of 1950s pattern. Shown, in one photo, inside out. The bottom half is usually lined in the same silk used on the outside, with a lighter weight silk on the top half and the sleeves. This haori’s upper lining has a lovely design of colourful parasols on it.

Pink leafy repeat pattern.

Graduated pampas leaf pattern on russet. The leaves become more dense towards the bottom.

Bingata style print of pretty flowers.

The one below has autumn maple leaves, shown with and without a belt and shown inside out, with the beautiful lining on show. Haori are usually so exquisitely made, with hidden seams and hand tailoring, that you can wear or display the lined ones inside out. The lower half is lined with the same silk as the outside and the upper half and sleeves are lined with a lighter silk in a different design. This one has lovely Japanese parasols on the upper lining.

In the next photo you can see how beautifully they are made, with the edges of the seams completely hidden inside and out; not a line of stitches in sight in the lined ones.

On the next haori you see a wonderful design of stylised kiku (chrysanthemums) swirling over the silk.

Now black, with striking, champagne gold, metallic urushi (lacquer covered silk thread) woven to create a landscape design.

An iro muji (self coloured), scarlet haori, with flowers in the damask weave of the silk. I do wish I’d ironed it before the photos, though. They usually aren’t creased when unfolded, as there is a special way of folding haoris and kimonos to ensure they very rarely require ironing when unfolded for use.

Swirls of dragon fire on black silk, with subtle touches of gold detailing that are lovely when up close. A 1930s haori, so slightly longer than most of my more recent ones, with slightly deeper sleeves too.

Magnificent birds and flowers.

Big, pink butterflies on black.

Vermillion flowers and leaves on black.

Now for two examples of kuro muji (plain black) haoris, with patterns in the weave that the photos haven’t picked up. Each has one white mon (crest) at the centre of the back at shoulder level.

This second plain black one, below, is an antique haori, which are often longer than more recent ones. This one is 102cm long.  I am keeping it for myself.

Below is another metallic urushi landscape design haori, this one with glinting, distant mountains and a formal mon (crest) at the centre of the shoulders, making it a hitotsu mon (one mon) haori

An unusual one next. It’s a large sized, child’s michiyuki jacket but big enough for an adult to wear. It would fit a child because children wear them with big tucks loosely stitched in the shoulders, narrowing the width. Children’s ones have a collar and tassels, whereas adult michiyuki usually don’t have either of those and would also be longer than this one. The michiyuki you see in the next two photos is made of shibori patterned silk, with little red dots all over and large ume (plum blossom). Shibori is an intricate tie dye process, usually painstakingly, entirely hand done, making it a frighteningly expensive fabric that is highly revered by the Japanese, so this garment would have been for a child from a family with a great deal of money.

In Japan, haori jackets are not worn with the fronts overlapping and not worn with a belt but michiyuki jackets are worn overlapped at the front and they are usually fastened with press studs, which in itself is unusual, as almost all traditional Japanese garments are fastened only by tying; using using various sashes, cords, obis etc.

Finally, black silk, with painterly, red branches and little ume (plum blossom), shown with and without a smile. This is a haori that the model has kept for herself, to wear with her red, Terry De Havilland shoes

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22
Apr
10

Haori Worn With Style + Hanami – Japan’s Cherry Blossom Viewing

wafuku – noun: traditional Japanese clothing

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Haori  Kimono Jacket – Worn With Style

Susie Lau Wearing a Japanese Haori

Style Bubble’s Susie Lau can  be seen above wearing a Japanese haori kimono jacket, with a pattern of little flying cranes all over it, over a light blue jacket and a striking dress and with amazing shoes and Bebaroque gemstone tights.  That mixing and wearing together of different patterns is a very Japanese thing. She looks extremely stylish.

This may give you an idea of the length of haori jackets and the look of their swinging, kimono sleeves. Haori jackets are very useful garments, striking when dressed up, such as Susie is, and fabulous when dressed casually in jeans or the like. Some haoris are patterned all over like Susie’s one, many have a dramatic design on the back on an otherwise plain background and some are simply self coloured with no pattern other than one in the texture of the weave of the silk. The variety is amazing and they tend to be very beautiful and eye-catching.

You can also see lots of photos of other haori being modelled, in my haori photo shoot post.

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Hanami – Japan’s Cherry Blossom Viewing.

The sakura blooms briefly, then scatters to the winds

Hanami means ‘flower viewing’ and refers to the annual tradition of cherry blossom (sakura) viewing in Japan. Originally it was plum blossom that was viewed this way in Japan but, in time, cherry blossom succeeded it and Hanami is now always cherry blossom viewing time.

hanami

The geographical location is the main factor determining blossom blooming time. The milder the climate, the earlier the blossom.

On Japan’s southern, subtropical islands of Okinawa, cherry blossoms open as early as January, while on the northern island of Hokkaido, they bloom as late as May. In most major cities in between, including Tokyo, Kyoto and Osaka, the cherry blossom season usually takes place around the end of March and early April.

osaka castle hanami

Osaka Castle

The blossoming time also differs from year to year, depending on the weather. If the weather preceding the cherry blossom season is mild, blossoms will open early. If it is cold, blossoms will open later. From year to year, the start of the blossom season can vary by as much as two weeks.

Cherry blossom season is relatively short. Full bloom (mankai) is usually reached within about one week after the opening of the first blossoms (kaika). Another week later, the blooming peak is over and the blossoms are falling from the trees. Strong wind and rain can cut the blooming season even shorter.

enjoying hanami

How Do They Know When Hanami Will Take Place?
Not every tree in an area opens on the same day, as trees in shadowy places, for example, bloom several days later than trees in sunny places. For this reason, a set of representative sample trees is selected to define the date of kaika (the opening of the first blossoms) for each city. In Tokyo, the sample trees are located at Yasukuni Shrine. A chart is produced showing the average time of the first opening of the blossom in each area.

Cherry Blossom Kimono
Once cherry trees are in bud, it is too late in the year to wear a kimono with a cherry blossom buds design on it but one can wear a pattern of them in full bloom. When the trees are in full bloom, one can wear a design of falling cherry blossom petals. Once the petals have fallen, one stops wearing cherry blossom design until shortly before the next cherry blossom season. The pattern must stay at least one stage ahead of the blossom.

Enjoying Hanami
In some places the blossoms are lit up in the evening, which makes a glorious sight. From a distance, the trees appear as beautiful clouds, while the beauty of single blossoms can be enjoyed from close up. Hanami can be just a stroll in the park, but it traditionally also involves a picnic party under the blossoming trees. Hanami parties have been held in Japan for many centuries.

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13
Feb
10

Japanese Urushi Textiles

wafuku – noun: traditional Japanese clothing

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Urushi Textiles

Urushi is Japanese lacquer. It has many uses and one is in textile design.

Thread, usually silk, is coated with lacquer, then used to weave beautiful textile art. Textile with urushi weave is found on some kimonos, on obis and is particularly popular on haori kimono jackets. You can see several urushi haori here (and hundreds more on my website).

Urushi is sometimes just a coloured lacquer but often it’s metallic, found in shades of gold, silver, pewter, copper, bronze and a whole rainbow of metallic colours. On some garments it is quite subtle, on others it is bright and spectacular.

While kimonos may have a somewhat limited use in the West, mostly worn at home as robes, haori jackets are very wearable with western clothing. Haori are wafuku (traditional Japanese clothing), designed to be worn over kimonos, but are lovely worn with yofuku (non Japanese style clothing), looking wonderful worn casually with jeans and the like or dressed up for a special occasion. The designs make them extra special and urushi ones are real eye catchers.

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08
Oct
09

Japan’s 20 Year Old Girls’ Seijin-No-Hi Celebration & Furisode Kimonos

wafuku – noun: traditional Japanese clothing

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Each year in Japan there is a celebration called Seijin-No-Hi (sometimes seen as seijinsiki), now usually held on the second Monday of January. No matter where you are in Japan on this date you will see many girls, dressed in their traditional kimono, out and about celebrating Seijin no hi. The celebrations are organized by the local government of their place of residence. Styles of these ceremonies are different from region to region. Many of these young women have their hair and make up done by a professional and have a photographer take a commemorative photo, just as we might when dressed for a university degree ceremony.

Seijin-no-hi is a coming of age ceremony for girls who have reached the age of 20. At this age, they are considered adult and can legally vote, smoke, drink etc. It is meant to be an auspicious event to celebrate and encourage people who realise that they have become adults and have made up their minds to live their lives independently.

In Japan, the 20 year old women dress in beautiful furisode kimonos for that day. Furisode is pronounced foo-ri-so-day, with no stress on any of the syllables. Furisode kimonos are very ornate and have exceedingly deep sleeves. The beautiful furisode is usually bought for them by their parents, at a cost of thousands of UK pounds for a silk one, plus as much again for the obi, obi accessories and such. Nowadays they sometimes just hire the outfit for the day. The Japanese have a saying that translates as, ‘have three girls and be broke’.

Girls used to be taught by their mothers how to on put their kimono and obi, which is a time consuming and difficult task, but this tradition has largely died out, so they usually now go to classes to learn how to put it all on and how to carry themselves when wearing it or have a dresser to help them on the day.

Below you can see examples of current fashions in obi knots for wear with furisodes, nagoya obis in a variety of bow knots. You may also notice the little stoles many wear around their shoulders, another popular fashion just now. The stoles are often fur fabric or, particularly popular, floaty marabou feather. Although kimonos have changed relatively little over the centuries, there are, like everywhere, fashions that come and go. This can be a style of print, a weave of silk, a way of tying an obi, a particular kimono accessory etc

Furisodes are astoundingly beautiful kimonos when on but they also make spectacular display items, either on an ikou (special kimono display stand) or on a wall, hung from a kimono hanger or bamboo rod, back view with the fronts pulled out and pinned to the wall or clipped (like in the next photo, below) to the sleeves. The furisode comes in three different sleeve lengths: oburisode(full; 105 cm), chuburisode (medium; 90 cm), and kofurisode (short; 75 cm). The ones shown here are all oburisode, the deepest sleeved furisodes.

Below are some examples of the furisode kimonos on my site. Where you may see a break in the pattern at the back, this area is hidden when on, by the waist fold and obi.

This first one has wonderful, stylised cranes and ume (plum blossom) on it

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This pink one has pretty clouds floating across it, a very popular motif in Japan.

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The pale yellow one below has trailing flowers and lovely, gold, kinkoma couched embroidery detailing.

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The green floral one below also has gold detailing. The photo doesn’t do it justice, it is exquisite when on.

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The furisode below is a pretty, soft green colour, with wonderful flower sprays in shades of pink, white, blue and green.

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This next furisode kimono is a more modern one, also on my website. It has magnificent peacocks on it, with rainbow tails, and is highlighted with sparkling rhinestones

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Finally, the furisode below, one of my favourites, has a dramatic design of tabane noshi and flower baskets, with pretty embroidered detail too. Tabane noshi is a decorative bundle of strips, originally narrow strips of dried abalone/mother-of-pearl bundled together in the middle; it was the ritual offering to God in Japanese Shinto religion. Tabane noshi is now also is used to refer to a bound bundle of any kind of ribbon strips. This motif is often seen in the masterpieces of furisode kimonos from the middle of the Edo era, created by various techniques. It remains a very popular motif in Japanese design.

When you think of the quantity of silk used to make these furisode, which are usually fully lined in silk too, and the fact that they are almost all hand printed and entirely hand tailored, it is hardly surprising that one will pay at least £3000 for the kimono alone.

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16
Jun
09

More Vintage Kimonos & More Post Office Annoyance

wafuku – noun: traditional Japanese clothing

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More Kimonosoidered Furisode Kimono

butterfly furisode kimono

The kimono above is a lovely, silk furisode kimono. Furisode (pronounced foori-so-day) means ‘swinging sleeves’ and this style of kimono has extra deep sleeves and is worn by young, unmarried women, from about the age of 20. Once married, they replace it with a houmongi kimono, which has much less deep sleeves. This one has the most fabulous embroidery on it; great big butterflies. The lining is foxed, that is, it has yellowish brown spots on it, a characteristic sometimes seen on vintage silks, especially the ones used for linings. It doesn’t weaken the fabric, it just discolours it and that doesn’t show when it is worn. The photos don’t really do that furisode justice, it is much nicer up close. My daughter’s scarlet hair goes well with so many of the kimonos.

I’m most annoyed with the UK Post Office. A parcel sent to Germany went missing (I since insist on sending overseas mail as insured, registered mail), so I put in a claim for lost mail, even though I will get £34 back at most, when the contents’ value was £120. The other day I got a letter from the Post Office, asking for my original receipt for the contents, saying I had 5 days to reply or they would consider the matter closed. What annoys me about that is that it took them 7 WEEKS to send that reply to me. I told them, in my reply, exactly what I thought about that!

Now I’m going to take a 30 minute nap, having got little sleep last night, then it’s time to make lunch, after which I will pay another customs’ import tax bill for kimonos I’ve bought from Japan.

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Wafuku

This Wafuku blog is about Japanese kimonos, other traditional Japanese clothing and anything else, Japanese or otherwise, that tickles my fancy. Wafuku means traditional Japanese clothing, as opposed to more western-world clothing, which is called yofuku.

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Wafuku Kimonos, Japanese kimono, obi and more


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