Posts Tagged ‘wafuku.co.uk

11
Jan
12

Seijin-No-Hi & Other Bits & Pieces

Akemashite Omedetou Gozaimasu – A Very Happy New Year

wafuku – noun: traditional Japanese clothing

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We’ve had incredible winds here of over 100 miles per hour as Hurricane Katia reaches us here in Scotland. I hear there is even worse to come, so we’ll see. It’s frequently wet and windy in Scotland but it has been much wetter and windier than usual this year. I don’t know if it is anything to do with global warming or simply a natural cycle that happens every generation or whatever but the grey skies that have been close to constant since late summer have become depressing and make one reluctant to go outside. Scotland does not have great weather at the best of times but this has been much more severe than usual.

Below is a photograph, from http://www.sott.net, of a wind turbine in Ardrossan, not so very far from where I am, which burst into flames because of the force of the winds making it spin in the wrong direction.

Still, there has been relatively little damage, despite the roaring winds; the hut is in a bad way, a small amount of tile repair required on the roof, a huge tree came down in our adjacent little field and about 6 foot or so was blown off the tops of a few of the pines growing further down the field, where there is a small wood entirely of very tall pine trees. There are smallish branches, from the old trees surrounding the house, littering the place, the plant covered metal mesh arches have blown over, etc. but no drastic damage. An acquaintance’s car, in a tiny village about 3 miles from here, was flattened when a large tree fell on it but it was empty and parked outside his home when it happened.

There’s been some flooding in the town, which is in a valley, but my home is on a hill on the edge of the countryside, so is never going to flood.

When I think of Japan’s tsunami and other natural disasters around the world, I do admit we have been let off lightly.

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Seijin-no-Hi

January 10th was Seijin-no-Hi in Japan. Seijin-no-Hi is the Coming of Age Day when people who will have their 20th birthday in the present year all celebrate. The celebration begins by going to local government office, then to a shrine with their parents, then partying the rest of the day away with friends. Young women usually dress up in wafuku (traditional Japanese clothing) for the day, which means wearing a furisode kimono, which has exceedingly deep sleeves and beautiful patterns on it. Young men may wear wafuku too, with an ensemble of kimono, hakama and haori, though most seem to choose to wear yofuku (clothing that is not traditional Japanese clothing), usually a standard suit. Of those young men who do wear wafuku, some wear the more usual, formal ensembles, comprising montsuki kimono and haori in black and hakama with black and white or grey stripes, but some turn it up a notch and wear even more striking versions, with brightly coloured kimono and haori and hakama of bold patterns and gold brocade, sometimes seen with very contemporary hairstyles, such as spikey blonde styles etc. I love both the more sedate versions and these more gaudy ones and the mix of traditional and contemporary.

Tokyo Fashion as a blog post about Seijin-n-Hi in Tokyo so, as I’ve written about it before on this blog, you may want to visit theirs, as they have lots of lovely photos such as the one below.

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You can see more photos here on Akakusa Diary, which has, amongst others, the picture below, with young men in both contemporary and traditional clothes and both colourful (front left) and serene (front right) versions of the traditional outfit.

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Now for just a few of the furisode kimonos on my Wafuku.co.uk website

Floral Bands

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Rainbow Peacocks with Rhinestones

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Bouquets on Purple

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Soft yellow with Fabulous Flowers

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Bright Peacocks & Rhinestone Details

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Detail on Bright Peacocks & Rhinestone Details

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Furisode Kimonos

Furisode means ‘swinging sleeves’ and there are three styles of furisode kimono, all only worn by young, umarried women:

type 1 – Ko-Furisode: the shortest sleeved furisode, with sleeves that are around 85cm in length, one might wear a ko furisode, for example, with hakama for a graduation ceremony

type 2 – Chu-Furisode: a furisode with sleeves that are around 100cm in length. “Chu” means “medium”.

Type 3 – Oh-Furisode: “oh” means big, therefore oh-furisode means big, swinging sleeves, with the longest sleeves of all the furisode type kimonos. Oh-furisode have sleeves of 114 – 115cm. This is the type that would be worn for Seijin-no-Hi. all the kimonos shown above are oh-furisode.

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3D paintings

Check out the 3D paintings by Riusuke Fukahori; he paints a layer, pours on thick layer clear lacquer, paints on that and repeats the process  until done. You can see pictures of his work here on the www.thisiscolossal.com design website, as well as a short film of him doing the work.

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Snow Monsters

It is worth having a look at these trees covered in snow and rime ice in Japan, known as “snow monsters”. You can see one photo below and lots more here on the Pink Tentacle website.

Japan’s Snow Monsters

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I really like this photograph from tokyotimes.org 

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wishing you all the best for 2012

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06
Oct
11

Furoshiki, Fukusa & Oriental Eyes

wafuku – noun: traditional Japanese clothing

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Japanese Furoshiki – the multifunctional cloth
Furoshiki are Japanese wrapping cloths. Typically, the Japanese tie these cloths in a variety of very clever ways to wrap gifts and make bags and suitcases. When it comes to folding and tying, no one does it better than the Japanese.

The 2 pictures below are from an instructional video clip here

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You can see how to tie a bag like the one below in the Kakefuda Kyoto Famous Furoshiki Store’s  instructional video clip here

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Got a laptop like the one below to wrap or something the same shape? Check out the instructional video clip here

You can find those clips and more here.

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For printed instructions, check  out the following pictures. Click them for enlargements, which open in a new window…

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Here are some of my furoshiki

Two large, silk furoshiki

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Fukusa

Another item the Japanese use to cover gifts is the fukusa, like the ones shown below. Fukusa are also used at tea ceremonies. Traditionally in Japan, gifts were placed in a box or on a wooden or lacquered tray, over which a fukusa was draped. The choice of a fukusa appropriate to the occasion was an important part of the gift-giving ritual. The practice of covering a gift became widespread during the Edo or Tokugawa period (1615–1867).

Fukusa, unlike furoshiki, do not get tied, they are just laid over the item. The one above, on the left, is woven from gold lacquer coated thread, with a design of oshidori (madarin ducks) and ume (plum blossom) and the tassels are in the form of minokame (turtles with a trail of algae behind them). The type on the right is often given with wedding gifts; the kanji on it, called kotobuki, can be translated both as congratulations and as longevity.

The antique silk fukusa above has fabulous, deeply couched, golden embroidery in the centre, in the form of a mon (crest); this mon is sasa (bamboo). This will have been an extremely expensive fukusa when new.

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The fukusa above has flying cranes, which represent longevity and loyalty.

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These fukusa are in the form of wallets, the grey one is given to someone in mouring and the golden one would be given as a wedding gift. They would be given with money in them.

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You also get fukusa like the one shown in the picture above, with a little bone or plastic button, which often come complete with a lacquered tray inside. You sometimes see these ones with Buddhist scripture all over them.

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Oriental Eyes

I absolutely love the Japanese eyes, with their lovely almond shape and single eyelid but many Japanese people prefer the oxidental eyes with the double eyelid. They feel it makes the eyes look bigger. Sadly, this has led to many having cosmetic surgery to give them double eyelids that crease in the middle like oxidental ones, which also tends to reduce the lovely almond shape. A less drastic solution is the one you see below in the video clip, showing some fluid that is applied to the lower part of the eyelid, making it slightly rigid when it dries, forcing it to crease when the eye opens and therefore look like double eyelids. It gives the folding eyelid without destroying the lovely almond shape and it is not permanent. Assuming the stuff being applied is harmless, I hope this catches on more than cosmetic surgery, as it means they don’t lose their beautiful oriental eyes and can choose to go back to their natural look at any time. I’m not anti cosmetic surgery at all, I just love oriental eyes and envy those with them and I hate to think of anyone with them permanently destroying their own natural eye appearance.

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20
Sep
11

Bits & Pieces To While Away The Time

wafuku – noun: traditional Japanese clothing

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Osaka Station Water Clock
In Osaka station they have a fabulous clock that shows the time in water droplets. Between each minute it makes pretty designs. I’ve seen these great fountains before; they are controlled by computer and release carefully timed droplets that create patterns. I think they are so impressive. Photos and video on a blog at

http://gorimon.com/blog/log/eid1414.html

and a video below

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Great Advertisement
Watch it right to the end, it may look grim but is very funny…

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High Brow Finger Puppets
A shop in the US sells these finger puppets. Such an unlikely set of characters (they have other artists, playwrights and philosophers too) and I particularly like Shroedinger’s Cat. I wonder if it is dead or alive.


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Fun & Thrifty!
This takes me back. I remember these types of ‘things to do with’ guides. Oh how easily pleased we were back then; we didn’t beg for the latest expensive gadgets and toys, we got excited when given a handful of empty thread boobins or some such crap. As I recall, I never managed to get more than one spool a year, so that limited me a little when I wanted to make a snake from them.

This next recycling idea is somewhat horrifing now that we know the dangers of asbestos. For those, like me, in the UK, shingles are roof tiles.

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Everybody
I love these guys singing along to animé videos of The Backstreet Boy’s song Everybody. They get the actions and facial expressions just right and the guy on the left, with the great hair, is so very good at it. There are two versions, one with three animé characters and one with a single, different one. The version with the single character is longer though a bit fuzzy but don’t let the image quality put you off. Worth watching both. They almost make me like the song.


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31
Aug
10

Japanese Propaganda Kimono

wafuku – noun: traditional Japanese clothing

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Japanese Propaganda Kimono

Japan has a particularly rich textile history. The main focus for artistic expression on textiles is the kimono.

It is through choice of colour and, more importantly, decoration that the Japanese have always expressed their personal, cultural, and social sensibilities on their clothing. A kimono shows one’s social standing, age, the season and whether one is dressed for normal daily duties, visiting or any of several degrees of formality in an occasion one might be attending. It could also be used to show one’s partiotism.

Japan, with its tradition of potent textile designs, produced striking and varied propaganda textiles in the period 1931–1945.

In Japan, most of the clothing with textiles displaying propaganda images were worn by men and young boys. The propaganda textiles used for men’s garments appeared predominantly in traditional clothing such as nagajuban (underwear kimonos) or the linings of haori (jackets worn with kimono), and therefore were designs hidden from public view and seen only by people close to the wearer. More striking is Japan’s use of propaganda textiles in children’s clothing.

Imagine a Japanese child with his parents, in 1930s to mid 1940s, wearing a kimono like the one shown here, waving a Japanese flag and cheering Japan’s latest victory. Most of these propaganda fabrics did not survive after the war, as it was forbidden by occupation forces and ordered destroyed when the Second World War ended in 1945.

Wearing propaganda is totally unexpected and, nowadays, given the often overt militaristic sentiments, can seem rather disturbing. However, with their bold and evocative designs, Japanese propaganda textiles are certainly still worthy of aesthetic consideration.

These propaganda textiles have begun to gain much attention and there are now a number of significant collectors. Recently the V&A made its first acquisition in the area of propoganda wafuku; a boy’s winter kimono celebrating the journey of the plane Kamikaze-go, which set the speed record for a flight from Tokyo to London in 1937; not a war theme but nonetheless a patriotic one.

The baby boys’ kimono you see here is one from my own collection. The baby who wore this kimono would probably be in his 70s now. These propaganda kimonos are very hard to find and, even though it has a few little moth holes in it, I couldn’t resist such an oddity.

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06
Jul
10

Textile Art To Die For – Or Wed For

wafuku – noun: traditional Japanese clothing

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My latest uchikake kimono

I know I must not buy more kimonos, I can’t move for the things and my home is now a warehouse with them crowding me out of every room but I could not resist the exquisite uchikake kimono you see below. It was expensive, as was the shipping from Japan, since it weighs about 6 kilos, so I can’t keep it and it will end up for sale on my website but I get to own it briefly, at least, and that will do. I have nowhere to display it anyway and it does not deserve to be hidden away in a box. It hasn’t arrived from Japan yet but I am quite excited about seeing it up close.

An uchikake is worn by a bride in Japan, part of one of many outfits she wears on her wedding day. They are not worn with an obi, they are worn open, rather like a coat, over her kimono and obi.

Uchikake are worn trailing on the ground, the bride stands with the hem laid out around her and the padded hem makes the bottom lie beautifully

It has magnificent aranami (wild waves), flying tsuru (cranes) and kumo (clouds). Cranes are a popular motif on wedding kimonos, as they are symbols of longevity, fidelity and loyalty. The Japanese believed cranes live for one thousand years. They mate for life.

On the front and on the back of one sleeve are red botan (peonies), symbolising happiness, wealth, and honour.

This uchikake is pure silk and has yuzen textile art, which means it was hand painted on the bolt of fabric used to make it. It will have cost ten to twenty thousand pounds, easily. In Japan, brides usually hire the uchikake for the wedding day, which will still cost a couple of thousand for the day’s hire. This makes buying a vintage one, for wear or display, a real bargain, as it will only cost a few hundred pounds and you get to keep it.


07
Jun
10

Haori Photo Shoot – The Versatile Kimono Jacket

wafuku – noun: traditional Japanese clothing

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Haoris in the sunshine – A photo shoot with fabulous, Japanese haori kimono jackets

Saturday was a beautiful, sunny day here in Scotland, so I made the most of it and had a photo session to get pictures of a few of my Japanese haori kimono jackets. Astrella modelled them all for me, sweltering in the heat without a word of complaint. We took 331 photos and I have selected 58 for you to feast your eyes on here.  The pictures may help you gauge the general length of them, as haori are longer than many people realise from pictures of them just on a hanger. Astrella is five foot one inch tall (roughly 155cm) and a UK size 10 and about 125 cm from wrist to wrist.

The first haori shown below is covered in large, pink and white ume (plum bossom) and shows how good haori can look when worn with a belt, which is something the Japanese don’t do. They wear them unbelted on top of a kimono and obi. You may notice that haori (and kimono) sleeve seams lie down the arms a bit, not up at the edge of the shoulders. The traditional way of fastening a haori, if one chooses to fasten it at all,  is with a single tie, just inside the fronts, called a himo, which holds the fronts edge to edge, not overlapped. As you can see, though, from photos on this page, haori do also look extremely good with a a belt added. The first one below is being worn with a wide elastic belt.

This next one has magnificent textile art of bright flowers on black, shown modelled with a narrow leather belt as well as without a belt. The large white stitching at the edge of the sleeves is called shitsuke and is often put in, by the Japanese, just to keep garment seams neat during storage. It is simply pulled out before wearing but, as this haori was just being modelled, I left it in.

All but one of the haoris in these photographs is pure silk, inside and out, and all are entirely hand tailored, with the seam edges completely hidden in the lined ones, so those can actually be worn inside out too. Some have hand applied textile art. The quality of the fabric and workmanship is absolutely exquisite.

The following photograph shows a haori in a pretty pink, with a design of magenta leaves.

Now a touch of 1950s pattern. Shown, in one photo, inside out. The bottom half is usually lined in the same silk used on the outside, with a lighter weight silk on the top half and the sleeves. This haori’s upper lining has a lovely design of colourful parasols on it.

Pink leafy repeat pattern.

Graduated pampas leaf pattern on russet. The leaves become more dense towards the bottom.

Bingata style print of pretty flowers.

The one below has autumn maple leaves, shown with and without a belt and shown inside out, with the beautiful lining on show. Haori are usually so exquisitely made, with hidden seams and hand tailoring, that you can wear or display the lined ones inside out. The lower half is lined with the same silk as the outside and the upper half and sleeves are lined with a lighter silk in a different design. This one has lovely Japanese parasols on the upper lining.

In the next photo you can see how beautifully they are made, with the edges of the seams completely hidden inside and out; not a line of stitches in sight in the lined ones.

On the next haori you see a wonderful design of stylised kiku (chrysanthemums) swirling over the silk.

Now black, with striking, champagne gold, metallic urushi (lacquer covered silk thread) woven to create a landscape design.

An iro muji (self coloured), scarlet haori, with flowers in the damask weave of the silk. I do wish I’d ironed it before the photos, though. They usually aren’t creased when unfolded, as there is a special way of folding haoris and kimonos to ensure they very rarely require ironing when unfolded for use.

Swirls of dragon fire on black silk, with subtle touches of gold detailing that are lovely when up close. A 1930s haori, so slightly longer than most of my more recent ones, with slightly deeper sleeves too.

Magnificent birds and flowers.

Big, pink butterflies on black.

Vermillion flowers and leaves on black.

Now for two examples of kuro muji (plain black) haoris, with patterns in the weave that the photos haven’t picked up. Each has one white mon (crest) at the centre of the back at shoulder level.

This second plain black one, below, is an antique haori, which are often longer than more recent ones. This one is 102cm long.  I am keeping it for myself.

Below is another metallic urushi landscape design haori, this one with glinting, distant mountains and a formal mon (crest) at the centre of the shoulders, making it a hitotsu mon (one mon) haori

An unusual one next. It’s a large sized, child’s michiyuki jacket but big enough for an adult to wear. It would fit a child because children wear them with big tucks loosely stitched in the shoulders, narrowing the width. Children’s ones have a collar and tassels, whereas adult michiyuki usually don’t have either of those and would also be longer than this one. The michiyuki you see in the next two photos is made of shibori patterned silk, with little red dots all over and large ume (plum blossom). Shibori is an intricate tie dye process, usually painstakingly, entirely hand done, making it a frighteningly expensive fabric that is highly revered by the Japanese, so this garment would have been for a child from a family with a great deal of money.

In Japan, haori jackets are not worn with the fronts overlapping and not worn with a belt but michiyuki jackets are worn overlapped at the front and they are usually fastened with press studs, which in itself is unusual, as almost all traditional Japanese garments are fastened only by tying; using using various sashes, cords, obis etc.

Finally, black silk, with painterly, red branches and little ume (plum blossom), shown with and without a smile. This is a haori that the model has kept for herself, to wear with her red, Terry De Havilland shoes

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13
Feb
10

Japanese Urushi Textiles

wafuku – noun: traditional Japanese clothing

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Urushi Textiles

Urushi is Japanese lacquer. It has many uses and one is in textile design.

Thread, usually silk, is coated with lacquer, then used to weave beautiful textile art. Textile with urushi weave is found on some kimonos, on obis and is particularly popular on haori kimono jackets. You can see several urushi haori here (and hundreds more on my website).

Urushi is sometimes just a coloured lacquer but often it’s metallic, found in shades of gold, silver, pewter, copper, bronze and a whole rainbow of metallic colours. On some garments it is quite subtle, on others it is bright and spectacular.

While kimonos may have a somewhat limited use in the West, mostly worn at home as robes, haori jackets are very wearable with western clothing. Haori are wafuku (traditional Japanese clothing), designed to be worn over kimonos, but are lovely worn with yofuku (non Japanese style clothing), looking wonderful worn casually with jeans and the like or dressed up for a special occasion. The designs make them extra special and urushi ones are real eye catchers.

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16
Oct
09

One and Other 4th Plinth Ends – The Memories Will Live On

wafuku – noun: traditional Japanese clothing

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London’s One & Other project has ended after 100 days and 2400 plinthers atop the empty 4th plinth in Trafalgar Square.

one and other logo

Actually, it was 2401, as one person could not bear the height, so left early and was replaced by a volunteer, to ensure the plinth was never unoccupied throughout the 100 days.

The One & Other 4th Plinth project, brought about by Anthony Gormley (sculptor of, among other things, the Angel Of The North) ended at 9am this morning (14 Oct 2009). I feel slightly bereft, as I found it fascinating and invested many hours in it.

Gormley at 4th Plinth

Gormley at 4th Plinth

I was often entertained, often moved, often bored and sometimes amused by the people who were on the plinth. On the social networking site Twitter, people used the hashtag #oneandother when chatting (tweeting) about the plinth and quite a number of us got to know each other a little through our regular visits, comments and chats there. It seems even Gormley was aware of the Twitter hashtag and us all talking about it there. Someone coined the name Twecklers for those of us who were regulars there and the name stuck. It was even reported on some news channels and in newspapers, to our amusement and surprise. Despite the name being a contraction of Twitter heckler, the tweeting twecklers were all extremely nice and frequently amusing people, all loving the project and much more often giving encouragement and praise than heckling, though opinions were not held back. I have now learned that I posted 3,213 #oneandother tweets during the 100 days of the project.

One tweckler, @alexlebrit, even made a cut-out of the plinth, which many of us printed out and made into our own little plinth model; we’re all kids at heart.

Plinth Model

plinth model printout

On twitter, the staff in the One & Other cabin in Trafalgar Square, working the cameras that filmed the plinth and keeping the web video feed running, also joined us in chat, using the #oneandother hashtag and the Twitter ID @Oneandotherweb. They were informative, helpful, clever and very amusing. Being so obliging, they even tried to capture specific shots, like zooming in on some detail, when requested by anyone on Twitter. They were very much themselves, with no tiresome professional stand-offishness or forced politeness. They could be very mischievous, both on Twitter and on the plinth, and most of them did have to go on the plinth, to ensure it never had an empty hour when a plinther had failed to turned up with no notice and there was no one in the square they could grab. Their plinth hours, therefore, tended to be in the wee small hours.

4th Plinth in Trafalgar Square

Trafalgar Square

Quite a number of Twecklers, many of whom had also been plinthers, gathered in Trafalgar Square on Tuesday evening (13 Oct) and stayed there until some time after the last plinther was lowered from the plinth the following morning, when the safety net was then ceremonially cut by One & Other staff. They went prepared with mobiles, cameras, soup and a laptop, so managed to communicate, via Twitter and Skype, with those of us who were unable to join them in London. They were there to represent us all. I suspect we may still all meet up on Twitter, using the same hashtag, for some time to come. There are now also a couple of facebook groups dedicated to the 4th Plinth project. There were 2400 plinthers and we each only managed to watch a small number of those live, so, while the archive footage is still available online at Plinther Video Archives, we will try to check out more, particularly those each recommends, and we will continue to discuss them. The British Library is now archiving all 2400 hours of archives.

There were interesting side effects too; the project was the last straw in one plinther’s marriage, which has now ended, whereas another plinther has become romantically involved with one of the droids (O&O staff).

Twitter statistics for #oneanother this week

twitter statistics for one and other

My daughter applied for a place on the plinth and was very disappointed not to be one of the lucky ones selected. Just in case, before knowing she hadn’t been selected, she had got her costume, planned her hour, chosen all the music and rehearsed over and over to check her idea worked & the timing was right to fill the hour. She won’t have been the only hopeful to do so. I wonder how many people did that and how many preparation hours were put in by people who didn’t even get on the plinth. It makes me realise that way more effort was put into the plinth project than anyone will ever know.

Thirty minutes before what I thought was the final deadline for applying, midnight on 31 August, I found myself applying, even though, up until that moment, I had no intention of doing so. It was a panic reaction on realising that the chance of being part of it was about to end. I didn’t get a place either and felt both disappointment and relief. The only thing I reckon I could have done up there was to take a mannequin and dress it in wafuku, to show how a woman’s kimono ensemble is put on and how time consuming it is, while talking about why I am so fond of kimonos, how they are made, how they are dying out in Japan, the amazing Japanese textile art on them etc. I may have been able to dress the mannequin in two different outfits if I used pre shaped obis and didn’t have to take the time to tie those. I would also have explained all the steps of putting one on and the Japanese names of the numerous items required for the outfit. I’m not sure how fascinating that would have been for anyone watching, though, but it would have been informative and resulted in something visually pleasing, as a traditional kimono and obi outfit can be very beautiful.

Kevin takes Wafuku to the Plinth

Kevin takes Wafuku on te plintht

He was a very personable man and engaged the crowds nicely. He chose to use his time to teach a few words of Japanese because, coincidentally, he had lived in Japan for a little while, to also talk about his wife, whom he recently married, and of his love for her and, with the aid of a giant biscuit, to campaign for the return of Abbey Crunch, a favourite biscuit of his that is no longer in production. He was touching and amusing. My sister spoke to his wife in Trafalgar Square, who told her that she is the outgoing one and her husband, on the plinth, is the shy one. It’s interesting how the plinth has seemed appealing to so many introverts. They are willing to overcome painful shyness because of the desire to be part of such an unusual and interesting project.

Although I was not on the plinth, I do have a few mementos of it;  a poster from Thurtinkle, an excellent gnome puppet who told stories on the plinth and held a competition there too, which is how I won the poster, and a One and Other postcard someone sent me.

Another memento actually came from Kathrin Nicholson of Edinburgh (I have permission to include her name, who was on the 4th plinth in July. She said she’d noticed that I was on Twitter sometimes and I seemed to be a big fan of the plinth. I mentioned to her that I had a few mementos and she did the kindest thing; she sent me her official, plinther’s One & Other tee shirt, which were given by One & Other to each person who went on the plinth. I was so pleased and so very touched. What a wonderfully thoughtful and generous thing to do.

My Official One & Other tee shirt, sent to me as a surprise gift by a most generous and thoughtful plinther

One and Other tee shirt

Below you can see Kathrin on the plinth, laid back and enjoying a cuppa on a bright Sunday morning, as church bells sound, on 12 July at 9am.

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Someone who went on the plinth created an amazing panoramic view of Trafalgar Square. No idea how they did it, especially the view from above. You can pan round, up and down and zoom in and out. It’s most impressive but you might make yourself dizzy if you can’t resist spinning round.

Holly, from One & Other, created a Plinther Timeline, showing the stages many people on the plinth went through. It is most amusing and quite accurate.

I have enjoyed many and no doubt missed many others I would really enjoy watching. Ones mentioned in a previous blog post are still favourites, like John_Badger, the art teacher, and LilacBonzai but I think my absolute favourite was one from just three days before the end of the project, on 11 October at 5am. The plinther had the name of Nige. His picture (you can see it on the corner of the distant night shot of the plinth, below) and his About Me on the One & Other site led me to believe he might spend the whole time on the plinth on his mobile phone or, at best, have predictable music blasting as he passed occasional comments to any rare passer by. There was nothing that made me feel I must watch him and I only saw it because I happened to be watching the plinth through the night again on the day he came on. He really took me by surprise. The beautiful images of his hour, the haunting music he played and the clear but silent message stay with me. I have watched his hour three times now and will no doubt watch it again, though I don’t make a habit of watching the archive hours more than once.

Nige – Unexpected and Sublime

Nige 11 October, 5am

Nige

Beautiful from a distance too

Nige at a distance

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There’s no denying that when I watched the Sky Arts Final Highlights video of the plinth, I felt a lump in my throat and a sting in my eyes.

It’s been an interesting display of the people of the UK, of how varied they are but also of how many think alike. It has shown how caring they can be, how eccentric, entertaining, willingly vulnerable and sometimes simply how dull they can be. We don’t usually get to see the big mix of people, ranging from dull to eccentric, from dysphoric to euphoric, yet nonetheless ordinary people singled out and raised up so we can focus so clearly on them. I thoroughly enjoyed it and, although I think repeating it would be wrong, as it would dilute it, I will really miss it. Art or not, I am very glad Gormley brought it about.

Below you will find some I enjoyed. Click the name links to go to their plinth hour videos.

Tim Cello Jones & Mechanical Wings

timcellojones To see the mechanical wings moving, go to 5min 53 sec on his archive. His wings are lovely and ingenious.

Tim

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Lilac Bonzai

lilacbonzai Burlesque, costumes, poise & humour. I really enjoyed this one (warning, brief spell of nudity). The music was also very beautiful. **NOTE** ignore the text on the screen, move slider a minute or two forward and the video will play.

Lilac Bonzai

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John Badger

johnbadger An art teacher who gave an art lesson on the plinth. He reminded me I love art and should take to visiting galleries again and he made me laugh.

john badger

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Haydon the Womble

Haydon-the-Womble The official mascot for AFC Wimbledon. I really don’t like wombles but this was rather delightful and great on a summer’s day. It was very upbeat.

Haydon

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Thurtinkle

thurtinkle A story telling gnome who chatted to the folk below and told them a story, which had been made up, a tweet at a time, by people on twitter. I liked the reaction of the folk below the plinth when Thurtinkle’s head popped up. They also clearly felt like they were talking to a person, albeit a gnome, and not to a puppet but if you watch this hour, you will see why.

Thurtinkle

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Eeeyun

eeeyun. An hour of great music and balls bouncing free. It must have been satisfying to bounce all those balls like that and it was oddly satisfying to watch.

Eeeyun

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Ben 2 Frog

ben2frog Gigantic Bubbles & Dancing Frog

ben 2 frog

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Susanna M

susanna_m After years of anxiety and very low self esteem, Susanna bravely decided to be at her most vulnerable; naked on a plinth in the midst of London’s busy Trafalgar Square, watched by thousands online. Susanna wasn’t some Playboy/Heat wannabe, her nude appearance, her honesty, her openness about past hang ups and her bravery were admirable and most touching.

Susanna M

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Amanda – Bread Man

amanda Built life sized statue from loaves and bagels

Amanda builds bread statue

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Geraldc’s Godzilla

geraldc Godzilla crushes London on the 4th plinth. There is also an interesting youtube video of Gerald creating his costume and props and going to Trafalgar Square for his hour, at Godzilla’s day out.

godzilla

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Man Becomes Statue

Neil_S is Nelson. It was interesting to see this man turn himself into a statue of Nelson and bark out orders. I haven’t seen all of this one yet, so will return to it soon.

Neil to Nelson

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Posh Girl Babysits Plinth

pricey. This may seem an odd choice, as this posh girl from Newcastle did nothing entertaining or even particularly interesting but it fascinated me because it was like a peek into her normal life. It was as though her friends had come round her house to kill time with her until they all went out for the evening, delayed only by the fact that she just had to babysit this plinth for an hour before they headed out. It felt like seeing her at home, doing exactly what she’d have been doing in, perhaps, a big kitchen while keeping an eye on something in the oven while her mother had popped out for an hour or while she babysat a younger sibling, already in bed, until parents got in or a replacement babysitter arrived. While they waited, she made some things from a kid’s jewellery kit and chatted normally to her friends, now and then talking briefly to other friends on the phone or telling the visiting friends the jokes that she’d been texted. You got the feeling she had said to her friends, ‘Yeah, let’s all go out to the club but I’ve got to babysit the plinth for an hour first, so come and hang at mine while I’m doing that and we can go out when the real babysitter arrives’. She made it seem such an everyday thing to do. I found that aspect very interesting.

Pricey

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Mandy describes life as a transvestite

mandy. Mandy spoke of how life can be made hell by people simply because they object a man who has the harmless compulsion to dress as a woman. It was brave, touching and admirable. Mandy’s partner (a woman, in case you wonder) was in Trafalgar Square, below the plinth, during this hour.

Mandy

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Kevin & Biscuit

Kevin_M_1. Of course, I have to have Kevin, my plinth by proxy person, plinth day Thursday 13 August,  5pm, plnther number 921.

Kevin on the plinth

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Below are links to the archive hours of the regular Twitter twecklers who were on the plinth (more to be added as I find the links).

Radeeboi Egneg Minibeastgirl

Plinthipaul Smont Aurorablue

Alirit Solwise Penny_Nash

Below are links to One&Other droids who were on the plinth (more to be added as I find the links)

Mildroid Myrtle

And, of course, John_L, later known as Captain John, who was a plinther and a regular in Trafalgar Square, frequently seen on cam during plinther hours. The twecklers and droids grew rather fond of John over the 100 days, even though he doesn’t use Twitter, so most of us only followed his antics via the One & Other webcam.

Captain John

With 2,400 to sift through, it is worth randomly picking a few yourself and seeing what they are like. You will find them at One & Other Participants.


 

03
Jun
09

Sumo Paint – Great Free Image Editor for those who don’t have Photoshop

wafuku – noun: traditional Japanese clothing

Welcome to my Wordpress blog

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Sumo Paint
a great, free, online, image editor application for those who don’t have the exceedingly expensive Photoshop. It even offers layers. You can open a photo or whatever or just draw something from scratch. You don’t have to download and install it, you use it online then you can save the image to your computer
Find it here… Sumo Paint
and here is a page about it, with a link to a video to let you see how it works… Sumo Paint information

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02
Feb
09

Welcome to my Wafuku blog

wafuku – noun: traditional Japanese clothing

Welcome to my Wordpress blog

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I am a collector of vintage and antique wafuku (traditional Japanese clothing) such as kimonos, haori kimono jackets, obis, zori & geta etc. Having fed this addiction to these incredible pieces of wearable textile art and sumptuous silks for many years until the quantity I own got way, way out of hand. I hope you enjoy my blog.

When most people in Japan wore a traditional Japanese clothing daily, they each used to build up a sizeable collection over the years, all carefully stored. Now few Japanese are opting for traditional clothing and lifestyles, so they are parting with those collections. This does, however, make now a good time to get a vintage garment, while there are still many varied and beautiful kimono and such in Japan. On the other hand, it also means there are far less people now keeping or building collections of them. which, of course, also means the supply in Japan is not being maintained as before, so there won’t always be the fabulous variation of high quality, vintage Japanese garments available that there currently is.




Wafuku

This Wafuku blog is about Japanese kimonos, other traditional Japanese clothing and anything else, Japanese or otherwise, that tickles my fancy. Wafuku means traditional Japanese clothing, as opposed to more western-world clothing, which is called yofuku.

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me

my ‘about me’ page

Wafuku Kimonos, Japanese kimono, obi and more


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